REVIEW: Rebecca [2020]

I don’t believe in ghosts. Despite David O. Selznick‘s desire to keep his cinematic adaptation of Daphne Du Maurier‘s novel Rebecca as true to the source novel as possible and not alienate its built-in fan base, at least one change was unavoidable en route to passing Hollywood’s “Hayes Code.” Because it concerns a late-arriving revelation that would spoil things, I won’t say what it was. Just know that this seemingly small alteration on paper beneficially reverberates throughout the entirety of what Selznick and director Alfred Hitchcock put onscreen by allowing…

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REVIEW: Rebecca [1940]

They say he simply adored her. Director Alfred Hitchcock winds the camera down the overgrowth to a once beautiful estate known as Manderley—now a shell of its former splendor and shrouded in shadows. He’s foreshadowing the forthcoming darkness so we don’t meet the bright eyed and innocent young “companion” of Mrs. Van Hopper (Florence Bates) and believe we’re about to receive a whirlwind romance of love and life rather than pain and sorrow. No, the latter are firmly entrenched from frame one straight through the end despite subsequent appearances to…

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