REVIEW: Under sandet [Land of Mine] [2015]

“I’ll make it home” War is a horrific reality that forces people into doing terrible things. Everyone sees him/herself as being on the side of “good” and “righteous”—look at the discrepancies from one history book to another in how education systems describe certain events to shine one’s own nation in a rosier tint than it might actually deserve. There are of course exceptions, though. This idea obviously doesn’t work in regards to genocide, but I don’t think any Germans today (white supremacists excepted) believe Hitler did God’s work or are…

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REVIEW: Silent Nights [2016]

“I live a very hard life” It’s extremely difficult for me to blindly accept a film like Aske Bang‘s Silent Nights on faith. The idea that someone can do bad things—no matter how good he/she is at heart—and continuously be rewarded is a tough sell. But that’s exactly what this look at immigration through a charitable Danish lens attempts. A man may be a saint, but that doesn’t excuse thieving, adultery, or lying with ease. I understand the message comes down to “hard living” and “impossible decisions,” but the film’s…

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TIFF16 REVIEW: I blodet [In the Blood] [2016]

“We’re gonna have a great summer” If forty’s the new thirty, twenty-three can easily become the new thirteen. I think first-time director Rasmus Hiesterberg would agree as the man behind screenplays for The Girl with the Dragon Tattoo (Swedish) and A Royal Affair delves into a med student’s coming-of-age drama in I blodet [In the Blood]. What’s often reserved for younger children moving towards adolescence, eighteen at the oldest shifting from high school to college, the genre truthfully fits any period in one’s life if his/her maturity hasn’t quite sunk…

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FANTASIA16 REVIEW: Shelley [2016]

“But it’s not just about the money” Everything starts so innocently that you’d be hard-pressed to realize Ali Abbasi‘s Shelley is a horror film besides the score’s dread-inducing soundscape rising to a deafening level of static. Sure the setting’s weird with Louise (Ellen Dorrit Petersen) and Kasper (Peter Christoffersen) living in the Danish woods without electricity or running water far-removed from civilization, but the world’s fill of eccentrics. They’re actually quite nice, bringing in a new maid (Cosmina Stratan‘s Romanian single mother Elena) with open arms and warm smiles. It…

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REVIEW: Adams æbler [Adam’s Apples] [2005]

“That’s just plain rude” God works in mysterious ways—very mysterious ways. Or at least that’s what Anders Thomas Jensen‘s pitch-black fable Adams æbler [Adam’s Apples] will have us believe. It may just be plain old faith as the mere belief in good and evil sometimes gets you through the tragedies miring your life, dictating that everything happens for a reason. No matter how bad things get, having the faith that you’ll prevail is literally enough to make it true. To have God in your corner is to possess the strength…

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REVIEW: Krigen [A War] [2015]

“B for Bang” It’s not inconsequential that Tobias Lindholm‘s latest drama is simply and generically titled A War [Krigen]. This isn’t a story about Afghanistan or even Denmark—war is war no matter where it takes place or who is involved. Instead the film is about our actions both home and abroad, in the fight and outside it. It’s about our ever in flux notion of conscience and moral compass as it relates to patriotism rather than right or wrong. At the end of the day war is fought because governments…

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REVIEW: Vredens dag [Day of Wrath] [1943]

“There is nothing so quiet as a heart that has ceased to beat” The Latin hymn “Dies Irae” has been highly quoted musically throughout the centuries in myriad compositions, its words a medieval tale of judgment day wherein the souls of the good are summoned to Heaven and the rest cast down to Hell’s eternal flames. It makes sense then that Carl Theodor Dreyer would include it as the centerpiece of his film dealing with that exact divide between the righteous and damned. His Vredens dag [Day of Wrath] borrows…

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TIFF15 REVIEW: Mænd & høns [Men & Chicken] [2015]

“In fact, they hadn’t been dealt any cards” While I’m not familiar with Anders Thomas Jensen‘s solo work, I am with the films he has collaborated on opposite Susanne Bier. So to see images of his latest Mænd & høns [Men & Chicken] with a weirdly disfigured and hair lipped Mads Mikkelsen readying for a badminton strike was to be unprepared for the dark comedy of pratfalls a la Klovn it provides. A perverse genetic-minded fairy tale about family—warts and more warts—its lead duo consisting of one brother who must…

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TIFF14 REVIEW: Listen [2014]

“Go home and pray” There is no more apt title for Hamy Ramezan and Rungano Nyoni‘s Listen except maybe Comprehend. A 13-minute gut punch dealing with the disparity of culture, language, and religion, to say too much would ruin the perfectly orchestrated dissemination of information from start to finish. It asks questions like: What do we do when we cannot ask for help? What can we do if those meant to help start reacting subjectively rather than with the victim’s wellbeing at heart? Our world has become so flat so…

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TIFF14 REVIEW: Vokseværk [Growing Pains] [2014]

“Do you think she likes this?” There is no subtly in the animal instinct category of metaphor where Tor Fruergaard‘s Vokseværk [Growing Pains] is concerned. Centering on a teenage boy (Elliott Crosse Hove‘s Fabian), this R-rated cartoon compares an adolescent’s sexual urges with that of a dog ready and willing to mount every female in heat he can find. What do we do to quell such a storm in man’s best friend? Castration. Luckily for newcomer in town Felicia (Amalie Lindegård), Fabian’s veterinarian mother Birte (Iben Hjejle) specializes in just…

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REVIEW: Jagten [The Hunt] [2013]

“Then you can have a kick in the butt” I used to just walk outside the house and play with the neighborhood children in the street when I was young. We’d go anywhere we liked in this idyllic environment of safe trespass amongst unknown adults and kids along the way. So, it’s still difficult to imagine how we could be living in a completely different world only two decades later where “stranger danger” is no longer reserved for strangers. Now we fear our neighbors, family, and friends in an unfathomable…

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