TIFF16 REVIEW: The Limehouse Golem [2017]

“Here we go again” It took fifteen years of perseverance—acquiring the rights, losing them, and reacquiring them at the behest of screenwriter Jane Goldman stoking the fire—but producer Stephen Woolley finally got Peter Ackroyd‘s 1994 novel on the big screen as The Limehouse Golem. There were some big names attached from Merchant Ivory originating plans to Woolley hoping for Neil Jordan years before developing it with Terry Gilliam. Don’t let this taint your opinion when peering upon Juan Carlos Medina‘s name on the director’s chair, though. Despite being only his…

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REVIEW: Welcome to the Punch [2013]

“Does she now? You look like Kenny Rogers.” Bolstered by a script ranking number three on the 2010 Brit List—a film industry tabulation of the best unproduced British screenplays—Eran Creevy‘s Welcome to the Punch goes a long way to putting the writer/director on our cinematic map. The guy has worked behind the scenes on projects with Danny Boyle, Woody Allen, Neil Jordan, and Matthew Vaughn, the latter appearing to be who’s style he most closely resembles. Shooting a ton of music videos and commercials alongside his debut feature Shifty, Creevy…

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REVIEW: Made in Dagenham [2010]

“Above all—if I nod, you nod” It is somewhat humorous how there has been such uproar of debate concerning the feminism at work with Zack Snyder’s newest Sucker Punch. Here is a fantastical action romp of emblazoned young women fighting for their freedom through imagination and we’re made to cut through a flimsy script to find political rhetoric when entertainment is much easier to see. If only half of the people stirring up conversation on the subject would move instead towards a gem from last year called Made in Dagenham,…

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REVIEW: The Bank Job [2008]

“Knee-deep in fried chicken” I think the fact that The Bank Job is based on a true story makes it more intriguing then it possibly should. As a whole, the film is pretty standard fare for the genre, a bunch of amateurs attempting a huge heist, government conspiracies behind it all, secrets at every turn, and of course the romantic angle of two lovers who can never be together. Really the fact that it is true shouldn’t make a difference, but for some reason it does. Honestly, the plot of…

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REVIEW: Atonement [2007]

“No rhymes and no embellishments” Ladies and gentlemen, a hand for director Joe Wright; he has crafted a masterpiece. With resemblances to films like Cold Mountain and A Very Long Engagement, Atonement is just so much more. Visually stunning, intellectually stimulating, and forever heartbreaking, Wright has made a movie like no other this year. Sure I have seen “perfect” films this year, for lack of a better word, but even Gone Baby Gone winds up far down the list when compared to all 10/10 films I’ve seen and given that…

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