REVIEW: The Addams Family 2 [2021]

Up and Addams. When Grandma Addams (Bette Midler) says, “Time to make some money” upon waving goodbye to the family as they embark on a cross-country bonding vacation (despite the song lyric proclaiming they are “going global,” that doesn’t happen until the end credits), I laughed because it seemed like a thinly veiled joke on sequels to already rebooted IP generally being made to do exactly that. What I didn’t expect, however, was for there to be an actual advertisement about halfway through courtesy of a Progressive billboard. It’s not…

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REVIEW: The Addams Family [2019]

The day is becoming most wonderfully disruptive. What exactly the “old country” is in context with the latest iteration of Charles Addams‘ beloved The Addams Family is unknown. Are we to infer Transylvania? Maybe. Does the film itself pretty much just show Gomez (Oscar Isaac) and Morticia (Charlize Theron) driving until they hit a straight-jacketed inmate (Lurch) escaped from an abandoned asylum up on a hill? Yes. Does a patient escaping a building with no occupants seem strange? Sure, but that’s kind of par for the course. Asking questions about…

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REVIEW: Penguins of Madagascar [2014]

“Venetian blinded again” Is Penguins of Madagascar a total cash grab? Not quite. It’s one thing when a studio hones in on a successful franchise’s periphery character and deems it worthy of a spin-off by pretending it possessed enough depth to carry a feature of its own, but it’s another when the filmmakers embrace its appeal and simply expanded upon that element. Puss in Boots was painted as a hero to begin with and supplying him an origin wasn’t a giant leap past Shrek. The “cute and cuddly” penguins from…

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REVIEW: Madagascar 3: Europe’s Most Wanted [2012]

“I’m like a candy cane in a black and white movie” A round of applause for directors Eric Darnell and Tom McGrath—and Conrad Vernon who joins them to expand on his responsibilities playing Mason the monkey—because they have kind of accomplished the impossible with Madagascar 3: Europe’s Most Wanted. I was surprised at how much better Escape 2 Africa was in comparison to the original Madagascar, but never expected my level of enjoyment to rise even more with the third. Darnell—also a co-writer with Noah Baumbach—and McGrath have grown alongside…

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REVIEW: Madagascar: Escape 2 Africa [2008]

“I find it pretty and slightly hypnotic” It’s amazing what happens when filmmakers craft a plot for their characters. I’m not saying I approve of sequels with lame flashback origin prologues trying to make up for the lack of story in their predecessors, but I won’t complain if such contrivances help ground the jokes into a cohesive three act structure. Madagascar: Escape 2 Africa isn’t hampered by the need to remove its leads from their fabricated habitat, instead starting off the reservation and relying on everyone’s intrinsic desire to return…

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REVIEW: Madagascar [2005]

“Just smile and wave boys. Smile and wave.” Made as though in opposition to Pixar’s brand of magical storytelling, Dreamworks Animation’s Madagascar ushered in the studio’s want for broader comedy and adolescent appeal. With Shrek, they found a franchise that subverted Disney’s use of fairy tales for cinematic fodder and created a nice hybrid of laughs and story with an underdog hero inside an ugly duckling tale. But after a steady stream of Pixar work including Monsters Inc. and the previous year’s The Incredibles, you have to believe that Dreamworks…

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