REVIEW: Fast & Furious [2009]

“He used to date my sister” While only grossing half of its predecessor’s haul to make it seem as though Paul Walker‘s absence was a huge box office hindrance, Tokyo Drift still almost doubled its budget despite no discernible connection to the franchise that spawned it until the very end (minus its drag racing theme). It was apparently enough for the studio to gauge interest and see whether the quickly fading from public consciousness Walker and Vin Diesel wanted some easy money. With director Justin Lin‘s visual style alongside screenwriter…

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REVIEW: 2 Fast 2 Furious [2003]

“I’m not going back to Barstow” It would appear that we have Michael Brandt and Derek Haas to blame (thank?) for the sudden change from overwrought melodrama to self-aware comedy I would attribute to giving the Fast and the Furious franchise its longevity. Being that I had only ever seen the first, fifth, and sixth installments, I wasn’t quite sure what happened in between because, while I enjoyed the latter two, I simply couldn’t get into the original. Not only was it riffing on Point Break the wrong way by…

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REVIEW: Pitch Black [2000]

“Looks clear” People weren’t kidding when they used Chronicles of Riddick‘s expanded budget to blame for its box office demise. I always knew its predecessor was made with much tighter purse strings, but the level of ingenuity necessary to make it still look good surpassed any expectations I might have had. Not only does co-writer (with Jim and Ken Wheat) and director David Twohy play with color tints, vision filters, and an abundance of darkness to hide some of his CGI creatures’ fabrication, he ensures the plot and characters are…

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REVIEW: The Break-Up [2006]

The honor has been bestowed upon me to talk about movies for our blog. No need for fanfare, however, as our premiere is not one to write home about. Yes, we begin with the underachieving Vince Vaughn and Jennifer Aniston (the conjoined pet name eludes me) vehicle The Break-Up. Curse the trailers for having me say to myself, “save the date of June 2 for that one.” I should have seen the warning signs; I know this now. The film was directed by Peyton Reed of Bring It On fame.…

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