REVIEW: Side Effects [2013]

“I killed the wrong person” Some people will go to great lengths to get their lives back and Steven Soderbergh’s Side Effects shows how far. It’s a crime thriller written by frequent collaborator Scott Z. Burns about a young woman named Emily Taylor (Rooney Mara) and the beginning of what should be a brand new chapter of her life that will hopefully mirror the one before her husband was imprisoned four years for insider trading. Finally released, Martin (Channing Tatum) promises to make up for lost time and ensure his…

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REVIEW: RED 2 [2013]

“I was very touched that you cried at my funeral” For DC Comics imprint Homage’s RED, screenwriters Jon and Erich Hoeber turned Warren Ellis and Cully Hamner’s original work into a surprise box office hit with an inspired cast of aged, former CIA operatives presently labeled “retired: extremely dangerous”. The goal with any successful comic book adaptation is then to greenlight a sequel in the hopes lightning will strike twice in a bigger and better way. Like many before them, however, the task of expanding on a winner is never…

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The 85th Oscars recap through tweets …

@jaredmobarak • and the #Oscars begin … #[email protected] • SUCCESS!! Tommy Lee Jones smiles! #[email protected] • poor Don Cheadle #Oscars13 Welcome to the 85th annual Academy Awards from the newly renamed Dolby Theatre. Bankruptcy is a drag, ain’t it Kodak? Hopes were high after host Seth MacFarlane‘s surprisingly hilarious Ted made me wonder if the dude wasn’t the real deal after all. A poor man’s Ricky Gervais, the Academy was probably wise in going for the watered-down Americanized version of unbridled snark because one would think the “Family Guy” creator…

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REVIEW: Rock of Ages [2012]

“Actually, I told him the gig was last night. So he’s a day late.” Listening to Night Ranger‘s “Sister Christian” sung by a bus full of strangers a la Almost Famous was a pretty good way to start Rock of Ages, the big screen adaptation of the Tony Award nominated musical. Julianne Hough‘s ‘Sherrie’ Christian’s blandly starry-eyed wonder was acceptable; Hollywood circa 1987 took shape via hookers, muggers, and over-zealous cops; and the hyper-real Broadway sensibilities came out as extras broke into song and dance while a sweaty, sex-infused rock…

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