Tag: Benjamin Bratt

REVIEW: A Score to Settle [2019]

Jared Mobarak

Today is your day to try again. It’s been nineteen years since Frank “Frankie Fingers” Carver (Nicolas Cage) has been a free man. He’s made the best of prison despite being there for a crime his mob boss Max (Dave Kenneth MacKinnon) committed. What other choice did he have? With his wife dead, his son (hopefully) a reformed junkie, and his money buried behind a home he no longer owns, there wasn’t much else to do but try and enjoy what little control he had over what was left. And…

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REVIEW: Coco [2017]

Jared Mobarak

Seize your moment Disney and Pixar have lately begun to tell more stories that aren’t intrinsically linked to their white male sensibilities (even if they have a tendency to push out voices that should be talking for their characters like Brenda Chapman on Brave). It’s definitely an evolutionary process—one that might actually be helped with John Lasseter‘s ouster if stories about his inability to listen to outsiders are true. It was Aladdin‘s white directors Ron Clements and John Musker who moved from Arabian nights to Princess and the Frog‘s Cajun…

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REVIEW: Despicable Me 2 [2013]

Jared Mobarak

“Do not do your business on the petunias” When we last saw super villain Gru (Steve Carell) in Despicable Me he had just returned the moon to its rightful place in the sky, retired from evil, and become a father to the three sweetest little girls ever: Margo (Miranda Cosgrove), Edith (Dana Gaier), and Agnes (Elsie Kate Fisher). He had turned over a new leaf after youthful innocence thawed his heart a la how Cindy Lou helped the Grinch grow his in the classic Dr. Seuss tale. It’s the kind…

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REVIEW: Snitch [2013]

Jared Mobarak

“You just have to trust me” Watching the trailer for Ric Roman Waugh‘s Snitch had me believing the film would be a high-octane actioner in the vein of Dwayne Johnson‘s other one-word titled thriller Faster. Between the depiction of The Rock’s John Matthews going undercover with the DEA to bring down a narcotics kingpin and the writer/director’s past as a stuntman/stunt coordinator, it seemed a pretty easy leap to make. Interestingly enough, however, this isn’t the case and I’m torn whether that realization is a positive or negative. Generally action…

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