REVIEW: Relic [2020]

Don’t follow it. The horror trope is ubiquitous: “the call is coming from inside the house.” Whereas slashers use this now comical notion as a way to preempt the abrupt reveal that a solitary victim onscreen is about to be murdered by someone they didn’t know was standing right behind them, Relic director and co-writer Natalie Erika James (with Christian White) has a much scarier and tragically authentic way to utilize the trend. Because what is dementia but a disease that devours one’s sense of identity from the inside out?…

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TIFF17 REVIEW: Professor Marston and the Wonder Women [2017]

“Fantasy is possibility” Many probably don’t know about the man who created Wonder Woman. It’s not a surprise considering the decades it took to finally bring the character to the big screen despite a popularity that rivals her male Justice League counterparts. He wasn’t just some writer cashing in on the superhero craze spawned by neither a successful run of Superman nor a rags-to-riches story of an unknown. No, Dr. William Moulton Marston was a psychologist, Harvard PhD, professor, and inventor of the lie detector. He was a feminist who…

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REVIEW: Fifty Shades Darker [2017]

“Nothing lasts” Considering the Fifty Shades of Grey series is Twilight fan-fiction barely polished from its sordid internet origins, it shouldn’t be surprising that a villain besides dominant millionaire Christian Grey’s (Jamie Dornan) sadist side would arrive. Child molester Elena Lincoln (Kim Basinger) was alluded to in the first film, but not seen. So we anticipated this older woman who taught a fourteen year-old Christian about sex (propelling him onto the path he struggles to battle today) would receive a bigger role once Grey and naïve “I’m not a submissive!”…

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REVIEW: The Neon Demon [2016]

“Are you food or are you sex” Fame: all that’s glittered and gold, the intrinsic “it” quality we’d kill for but never do. That aura with an expiration date; beauty, confidence, radiance, and whatever other label outsiders use to transform you into a commodity to be bought, sold, and exploited within the tiny window before someone younger takes your place. This is Nicolas Winding Refn‘s The Neon Demon, an unexplainable concept jumping person to person without definition or discernment. It consumes the souls of unwitting vessels, makes them and breaks…

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REVIEW: Dark Shadows [2012]

“You’ll have to imagine us on a better day” At present, the Tim Burton discussion can be answered in two ways. One: I’ve become too old and jaded to ‘get’ the farcical nature of the auteur’s darkly comic worlds anymore. The satiric tongue-in-cheek tonality he so brilliantly cultivated in grotesque-lite universes either doesn’t have the same effect on me that it did in my youth or just isn’t as good. In that vein comes number Two: Burton has lost a step and now languishes in a perpetual self-parody desperately trying…

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