REVIEW: Destroyer [2018]

Let’s see if it’s your time. It’s billed as a down and dirty revenge flick with some calling it a redundant variation on a theme “better” films already delivered. That’s not how I see it, though. No, Karyn Kusama‘s latest is about guilt. Erin Bell (Nicole Kidman) isn’t drowning herself in alcohol and pushing everyone who loves her away because she’s devoting her life to finding the leader (Toby Kebbell‘s Silas) of the criminal outfit she infiltrated as a green undercover agent over fifteen years ago. That may be her…

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REVIEW: Measure of a Man [2018]

This time I had something to prove. The coming of age dramedy is a crowded genre with many seminal works established in the 70s and 80s. It’s tough to therefore see any entries without comparing them to what came first. Some can still find their niche and win audiences over before earning a place besides those former greats, but oftentimes they simply feel too familiar to necessitate a second look. The latter category is a shame because familiarity isn’t always synonymous with “bad.” Take Jim Loach‘s Measure of a Man,…

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REVIEW: Sand Castle [2017]

“A war story can’t be true unless it’s got some shame attached to it” Similar to lead character PVT. Matt Ocre (Nicholas Hoult), screenwriter Chris Roessner joined the United States Army in July of 2001 to serve in the Reserves and earn college money. Two months later 9/11 changed everything. Suddenly he was thrust into a full-scale war in the Middle East and he needed to steel himself to that fact. He wasn’t in the Special Forces, Navy SEALs or Marines—he was just a soldier walking onto the frontlines like…

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REVIEW: Billy Lynn’s Long Halftime Walk [2016]

“What else is there?” Here’s an Oscar-winning director doing something no one else has—shoot an entire film at 120 frames per second (standard is 24, the previous high 48 with The Hobbit)—and movie theaters couldn’t accommodate. At a time when it’s difficult to get butts in seats with Netflix and VOD, an opportunity for a legitimate must-see theatrical event is squandered. Venues dropped the ball. Buffalo, NY isn’t the biggest of cities, but you’d think sustaining six-plus movie houses earns a chance to see Ang Lee‘s vision as intended. Sorry,…

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REVIEW: The Nice Guys [2016]

“You will never be happy :)” Even a huge Shane Black fan like myself won’t necessarily tell you his style has nuance. You watch his directorial debut Kiss Kiss Bang Bang (released almost a decade after his previous screenwriting credit) and you feel its kinship to his scripting debut Lethal Weapon. His most recent assignment behind the camera Iron Man 3 feels exactly like both despite being entrenched inside an over-arching universe micro-managed by an outside force. So watching the trailer for his latest The Nice Guys is like seeing…

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