REVIEW: St. Vincent [2014]

“It is what it is” The Toronto International Film Festival appears to be embracing the quasi-family friendly odd couple comedy with R-rated color after last year’s Bad Words and this year’s St. Vincent, written and directed by Theodore Melfi and currently receiving theatrical release a month after its debut. Whereas the former went all-in with f-words and curry-holes, however, the latter is intent on retaining a strong sense of sentimentality. This isn’t necessarily bad—it simply forces the film into a sort of limbo existence. Because despite its PG-13 rating, the…

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REVIEW: Bad Santa [2003]

“Fraggle-stick car?” I tried to put a decade behind it and me, but not even that could turn my opinion on Bad Santa around. It’s just a mean-spirited, way-too-random account of a stereotypical alcoholic populated with other characters as ruthless as him or worse. The only role with a modicum of humanity is a borderline retarded kid who asks a ton of questions through a naïvely childish view on a perpetually cruel world. There’s a problem when the film’s biggest laugh comes courtesy of this boy running down the stairs…

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REVIEW: Crazy, Stupid, Love. [2011]

“Be better than the Gap” Love can make you do stupid things. Love can drive you crazy. It can break your heart, make you better than you ever thought you could be, or be used as a reason to cling on when there is nothing left to hold. We seek it out, question whether it’s true, hope he or she feels the same, and pray that it’s enough. Even when we do something that should sever all bonds for eternity, somehow there is always a tiny miniscule thread with the…

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REVIEW: Bad Teacher [2011]

“Peanut Butter everywhere …” I wasn’t the biggest fan when it was called Bad Santa and took place in a department store, so, suffice it to say, Bad Teacher’s foul-mouthed comedy never quite hit home. Scribed by writers from “The Office” and, what is sadly much lower on my anticipation list now, Ghostbusters III, Gene Stupnitsky and Lee Eisenberg have one thing going for them—laughs. If it weren’t for a healthy amount of laugh-out-loud instances, the void of any engaging conflict coupled with the broadest performances I’ve seen in quite…

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