REVIEW: Then Came You [2019]

Friends don’t wait to be asked. The premise behind Then Came You is a tough sell. A hypochondriac attends a support group for people dying of cancer, befriends one said person, and helps her fulfill a demented bucket list while allowing her lack of boundaries to shove him into the arms of the woman he’s been too afraid to ask out. It’s a sort of rom-com spin on Fight Club‘s Jack and Marla getting off on others’ sorrow for the tween sect. There will be initial confusion at the film…

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REVIEW: The Space Between Us [2017]

“Just add water” It’s difficult not to think about The Martian when it comes to new film The Space Between Us. Both center around a human stranded on Mars—albeit in drastically different circumstances—and both attempt to exist in a “real world” despite our actual ability for interplanetary travel being non-existent. What made the former’s science fiction so good was its decision to stay rooted in science rather than allow the fiction to completely takeover. It grounded us in how someone would survive and how complicated it would be to communicate…

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REVIEW: Ender’s Game [2013]

“The enemy’s gate is down” While speaking during a Q&A at the Los Angeles Times Festival of Books in April, author Orson Scott Card stated that Gavin Hood‘s adaptation of his seminal novel Ender’s Game was “the best that good people could do with a story they really cared about and believed in.” He also went on to say it was “damn good,” a sentiment with which I can’t wholly agree. The first quote, however, is a pretty spot-on description when you consider the amount of detail and political unrest…

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Posterized Propaganda November 2013: ‘Ender’s Game,’ ‘Nebraska,’ ‘Frozen,’ ‘Oldboy’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Summer is here! Well, at least the summer we hoped to have when the sun was still shining out my window. Yes, the requisite Oscar bait arrives with a few…

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REVIEW: Hugo [2011]

“Where are your designated adults?” When Hugo was announced as Martin Scorsese’s next film, little was mentioned about Brian Selznick’s Caldecott Medal-winning source material, The Invention of Hugo Cabret. The big news was the auteur relishing an opportunity to helm his first family film and willingly delve into the world of 3D—a medium seen mostly as a gimmick since Avatar. These revelations kept many from seeing how perfect a fit the material was for the director: a love letter to those responsible for cinema’s genesis and a film historian who…

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REVIEW: Nanny McPhee and the Big Bang [Nanny McPhee Returns] [2010]

“Yes poo man, we’ve come from far, far away in the land of soap” I must say I’m disappointed in Emma Thompson. I could understand her desire to write and star in an adaptation of Nurse Matilda—perhaps a childhood favorite of hers or her children—but her new incarnation of the wart-faced, bucktoothed taskmaster, Nanny McPhee and the Big Bang, seems a complete cash grab. I looked past the juvenile humor of the first film, realizing the work was aimed at children, but the amount of poo jokes here is astonishing,…

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REVIEW: The Boy in the Striped Pajamas [2008]

“Does the uniform still make you feel special?” **Caution: Spoilers** It appears that filmmakers have an appetite for Holocaust films these days. I don’t know if it has to do with the political strife occurring all over the world, America’s involvement in the Middle East, Republicans comparing Obama to Hitler, or what, but the constant influx almost has dulled me to the point of avoiding them. How many different versions of the tale can be told before you become numb? A film like last year’s Die Fälscher, while well made…

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