REVIEW: Hotel Mumbai [2019]

Remember, the whole world will be watching. An Indian man who’s risked his life helping to save wealthy guests at the posh hotel where he works as head chef (Anupam Kher‘s Oberoi) is imploring a group dead-set on venturing into bullet-riddled hallways to remain in the exclusive (and therefore hard to enter) club chambers where they currently reside. When they force his hand to let them go, he offers them prayers. We don’t know anything about this man besides his selflessness and courage—especially not his religion. But what does he…

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REVIEW: The Big Sick [2017]

“Always with the comedy” A lot of romantic comedies release each year—a lot. And they’re generally all the same with characters built from stereotypes rather than a writer’s personal experience. The ones that stick out are therefore those that arrive from the heart with something true to say. They’re the few possessing the honesty to show love’s ebbs and flows as well as the reality that it won’t always prevail. Sometimes the journey of the central couple lies in their growth to move onto other things, their brief collision providing…

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TIFF12 REVIEW: Silver Linings Playbook [2012]

“Is that song really playing?” I know it’s misguided, but my interest in David O. Russell films kind of ended after The Fighter. This was a guy who used to pave his own path with challenging material and comedies that made you think. It’s not even that I disliked his true-life boxing tale—actually I loved it. But where was the eccentricity? Where was the promise of subversive insanity that his sadly unfinished Nailed possessed? He showed he had the skills for the big time and I’m ecstatic he now has…

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