REVIEW: Murder at Yellowstone City [2022]

You killed hope. Nobody in the Montana Territory circa 1881 is watching a former slave like Cicero (Isaiah Mustafa) walk into town without keen interest. That goes for friends and foes alike. Luckily for him, Yellowstone City is a progressive settlement in many ways. It has its fair share of racists and bigots to be sure, but you can’t help feeling heartened as far as seeing a saloon owned by a gay couple (Richard Dreyfuss‘ Edgar and John Ales‘ Mickey) who act as fathers to wayward souls like the young…

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REVIEW: Café Society [2016]

“Dreams are … dreams” Ever since Woody Allen left New York City for England in 2005 to create some really spectacular films outside his usual comedic efforts of neurotic meet-cutes, I may have intentionally tried to avoid anything he made with a character he would have played himself a decade prior. I personally don’t count Midnight in Paris simply because Owen Wilson owns that lead role in a way Allen couldn’t equal. So when CafĂ© Society was announced with Jesse Eisenberg at the fore, I did cringe a bit. I…

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REVIEW: Pitch Perfect [2012]

“He is a hunter” Anything trying to capitalize on the now waning “Glee” craze and Step Up‘s surprising staying power probably should be dismissed sight unseen. How could a film dealing with the catty rivalries of the a cappella world be anything but an eye-rolling waste of celluloid? This is probably exactly what Universal Pictures thinks we’ll assume because they are throwing all their weight behind Pitch Perfect with an early release in select cities and a Twitter campaign putting one of its stars in the end credits to thank…

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