REVIEW: Everything, Everything [2017]

“When I talk to him it feels like I’m outside” I was with Nicola Yoon‘s Everything, Everything for its first three-quarters. While it’s just as implausibly overwrought as The Space Between Us—another YA love story mired by a high-concept contrivance that literally places a character’s life in jeopardy so he/she may experience what living free and outdoors feels like—its smaller scale concept allows its romance to shine brighter than its premise’s consequences. The notion that Maddy Whittier (Amandla Stenberg) could die from her rare case of Severe Combined Immunodeficiency (SCID)…

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REVIEW: Half of a Yellow Sun [2014]

“Go and tell your fellow witches you did not see my son” For writer/director Biyi Bandele, adapting Chimamanda Ngozi Adichie‘s acclaimed novel Half of a Yellow Sun was more than simply a job. He read her very personal account—the revolutionary at its center is based heavily on her father while each additional character and event is a slightly varied take on an authentic tale she heard during research—and saw a love story amidst the volatile war that raged outside his parents’ door when he was brought into this world. Focusing…

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REVIEW: The Princess and the Frog [2009]

“Freedom takes green” Two-dimensional animation is back in the Mouse House, but for how long? The Princess and the Frog is the first hand drawn feature length to be released theatrically since a string of failures at the hands of Disney studios, before they bought Pixar and began distributing Studio Ghibli work. I have no problem saying that it is a return to form and hopefully a sign of things to come, showing that creativity still resides in the cell by cell creations. However, despite praise and opening weekend success,…

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