Picking Winners at the 91st Annual Academy Awards

The 91st Annual Academy Awards hits airwaves Sunday, February 24th, 2019 at 8:00pm on ABC. For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: It’s the type of year where hashtags rhetoric simply won’t work. There’s just not one all encapsulating buzzword to touch upon the myriad problems these nominations face. What do you do when you have a film up for Best Picture that was directed by a known presumed sexual predator who was fired for not…

Read More

REVIEW: Vice [2018]

What do we believe? It’s still weird thinking the guy who joked around with Will Ferrell for years is an Oscar winner, but that’s exactly what Adam McKay is. Weirder still is my being firmly in the camp that believes it was deserved. What he did with The Big Short was the equivalent of too-smart people giving the public a “layman’s terms” explanation to their questions. He dumbed-down a complex topic, made it wildly entertaining, and taught us something about ourselves both in how we reacted (or didn’t react) to…

Read More

REVIEW: Justice League [2017]

I don’t have to recognize it. I just have to save it. There are a lot of haters out there—those who pile on Zack Snyder, the DC Extended Universe, and both. I’m not one of them. But that doesn’t mean I’ve loved what they’ve delivered. We’ve received one good film (Wonder Woman), one ambitiously enjoyable mess (Batman v Superman), an okay origin tale (Man of Steel), and a mildly enjoyable mess (Suicide Squad). Despite this union’s many flaws, however, it’s consistently brought something wholly unique tonally in comparison to Marvel.…

Read More

Online Film Critics Society Ballot 2016

Below is my December 31st ballot for the 20th annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2016 calendar year. Group winners are highlighted in red. Best Picture #1 Moonlight . #2 Manchester by the Sea #3 Arrival . #4 Jackie . #5 The Witch . #6 Hell or High Water #7 La La Land . #8 O.J.: Made in America #9 The Handmaiden . #10 Paterson . Best Animated Film #1 Kubo and the Two Strings #2 Moana . #3 Finding…

Read More

REVIEW: Nocturnal Animals [2016]

“Sometimes it’s not good to change things so much” One movie stood out in 2009: fashion designer Tom Ford‘s unlikely directorial debut A Single Man. It had style to spare and amazing performances (Colin Firth‘s Oscar loss was vindicated a year later), but its emotionality was its greatest strength. Ford created this tragic whirlwind and found a glimmer of hope—a way out of the darkness to acknowledge there’s more life yet to live. That was the trait I looked forward to experiencing on a larger scale with his follow-up Nocturnal…

Read More

REVIEW: Arrival [2016]

“A desire for more cows” While Arrival is very much a Denis Villeneuve film right down to the similarities between his lead Dr. Louise Banks (Amy Adams)—thrust into an overwhelming military-run situation and doing her best to hold it accountable—with that of Sicario‘s Kate Macer as well as a visually surreal callback to the much-talked about and deciphered conclusion of Enemy, you cannot deny its expert plotting courtesy of screenwriter Eric Heisserer. This is the guy responsible for B-level genre remakes A Nightmare on Elm Street and The Thing inexplicably…

Read More

REVIEW: Batman v Superman: Dawn of Justice [2016]

“Ignorance is not the same as innocence” Director and steward of Warner Bros.’s entire DC Comic universe—for better or worse depending on your personal opinion of the man’s portfolio—Zack Snyder has spent two years telling us Batman v Superman: Dawn of Justice is ostensibly Man of Steel 2. It’s not. This thing is a Batman film from start to finish. It shows how Bruce Wayne (Ben Affleck) focuses his rage to destroy the world’s newest destroyer. It’s about a good man turning cruel as Gods threaten the sanctity of all…

Read More

Top Ten Films of 2014: A deluge of sci-fi doppelgängers and one-word titles

I don’t want to label 2014 as a good, bad, or average year. I want to call it inventive, original, and delightfully dark. Whether it’s doppelgänger paradoxes leading to murderous rage, the bleak carnage of war, prison violence, or psychologically debilitating struggles to be great, my favorite films had an edge that cut to the bone by credits’ end. The best thing I can say about 2014 is that my top ten (heck, maybe my top twenty-five) could be re-organized and re-listed without making me too angry about what is…

Read More

Picking Winners at the 87th Annual Academy Awards

Things look pretty cut and dry where the Academy is concerned in 2015. The Oscars are always a somewhat watered-down look at what really mattered in the past year of cinema and this installment is no exception. In fact, it may be all water at this point. That doesn’t mean there can’t be some intriguing surprises in the second-tier categories like Best Animated Feature (I really hope How to Train Your Dragon 2 loses to one of the other much more aesthetically and conceptually unique nominees) or Short Film Animated…

Read More

REVIEW: Big Eyes [2014]

“I’m just a Sunday painter” It’s a paint-off. Literally. Will the winner be the charismatic salesman peddling his wife’s art as his own or the soft-spoken woman slaving away in a turpentine-filled room that’s been dominated and belittled into allowing him to do so? Who will earn the right to say they were the creators of an oeuvre simultaneously thought to be worth thousands of dollars and infinite fame by the general populace and conversely less than the canvas they were painted on by New York Times critic John Canaday…

Read More

REVIEW: Night at the Museum: Battle of the Smithsonian [2009]

“Like a Golden Fleece” While Night at the Museum is by no means a great film above family friendly theatrics, it did have heart. There was a story at its back—one steeped in magic that dealt with redemption and self-worth against insurmountable odds. A cool premise too wherein the exhibits at the Natural Museum of History come to life each night thanks to the golden tablet of Egyptian Akmenrah (Rami Malek), there was enough to entertain viewers of all ages with an eccentric stable of characters engaged in an exciting…

Read More