There’s no glory for a robot. Lydia Tár (Cate Blanchett) is an icon. A genius. Listen to a lecture introduction given by The New Yorker‘s Adam Gopnik and you’d be hard-pressed to refute someone hailing her as the second-coming of Jesus Christ. She’s a God amongst men that everyone in the classical music scene wants to either work with or become and she gives back to them with fellowship programs, mentorships, and her position as lead conductor of the Berlin Philharmonic Orchestra. With an EGOT on her shelf, a wife…
Read MoreREVIEW: Tár [2022]
