REVIEW: J’ai perdu mon corps [I Lost My Body] [2019]

You can’t always win. I think Netflix is doing J’ai perdu mon corps [I Lost My Body] a disservice by using the word “romance” to describe it wherever I look. Jérémy Clapin‘s animated film is most definitely not that. While Guillaume Laurant‘s novel Happy Hand—which he and Clapin adapted—might have been (I haven’t read it), this cinematic version of a young man’s (Dev Patel‘s Naoufel) lustful intrigue, sparked by loneliness, for a young woman (Alia Shawkat‘s Gabrielle) he delivered a pizza to once is very intentionally not handled as a…

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REVIEW: Blaze [2018]

Never stand in the way of true love. You have to respect the way Ethan Hawke approached his latest film Blaze and its central character Blaze Foley. He’d never heard the artist’s name or music until being stopped in his tracks upon listening to John Prine cover “Clay Pigeons.” That sparked an interest for research and eventually a door to Foley’s tumultuous life was opened. As luck would have it, Hawke’s friend Louis Black knew both Blaze and Townes Van Zandt (an important figure in this tragic country blues singer’s…

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REVIEW: Green Room [2016]

“The energy doesn’t last” It’s official: Jeremy Saulnier‘s Blue Ruin was no fluke. That pulse-pounding thriller wowed audiences a couple years ago with good reason and his follow-up Green Room only advances that success further. It’s as though he looked upon the climax of his 2014 gem and wondered what it’d be like to mold that powder keg of suspense into a full-length feature. His latest puts his players in their predicament very early and watches as the victims try to escape and predators enter. The numbers are about even…

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REVIEW: The Arrested Development Documentary Project [2013]

“I like that guy, Mitch” Something had to suffer once the critically acclaimed and criminally under-watched television comedy “Arrested Development” was announced to be in production with new episodes courtesy of Netflix. That victim is Jeff Smith’s The Arrested Development Documentary Project. Completed in 2012 from interview footage filmed before the show’s phoenix-like rebirth (a trailer was released on the movie’s website back in 2009), what was to be a posthumous love letter is now merely a glorified DVD extra of actors and writers talking about their connection to and…

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REVIEW: Cedar Rapids [2011]

“You’re what I like to call a Richard. A Richard Head.” On paper, Cedar Rapids seems an odd choice for a Sundance Selection. With a star in Ed Helms at the center, a man enjoying continued success on “The Office” and breaking out in The Hangover, you think overdone Hollywood vehicle to cash in on some timely exposure. Just look at that poster with his too wide grin and airplane pillow that doubles for a life preserver on quick glance next to the title. But then you go deeper and…

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REVIEW: The Runaways [2010]

“I want to hear you fun girls growl” Welcome to the coming out party for the new, adult Dakota Fanning. The movie may be called The Runaways, after the band for which it depicts, but this is most definitely the Cherie Currie story. When I first heard about the film beginning production, as well as all the hype surrounding Kristen Stewart’s casting as Joan Jett, I really couldn’t have cared less about the project. I chalked it up to being just another ‘making of the band’ tome of sex, drugs,…

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REVIEW: Whip It [2009]

“Cause shoes are a gateway drug” Bravo Drew Barrymore, who thought you had it in you? I am a self-proclaimed hater of this former child actress turned mediocre adult actress/producer. I did love Donnie Darko, though, and she did play a part in getting it made, but her role was atrocious. So, one may infer where my head was upon sitting down at the screening for Whip It—complete with Buffalo’s own roller derby girls in attendance—to see if she could pull an Affleck, (which isn’t fair since I think he’s…

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