REVIEW: Jay and Silent Bob Strike Back [2001]

They don’t deserve their own movie. It’s easy to forget that Jay and Silent Bob Strike Back was supposed to be the View Askewniverse’s final chapter. Writer/director Kevin Smith had finally decided to grow up (a relative term) and leave the foul-mouthed, pot-dealing miscreants he and Jason Mewes brought to life in Clerks (before subsequently popping-up in every film) behind. He even capped the credits with God (Alanis Morrisette) closing the proverbial book after corralling as many familiar faces and stars he could for what proved a self-conscious and self-referential…

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Posterized Propaganda June 2012: Blockbusters Arrive, Creativity Stays Home

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Summer is here and the marketing materials look as vapid as the films. Not to say there isn’t a couple gems coming to multiplexes with blockbuster budgets; there simply aren’t…

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REVIEW: Resident Evil: Afterlife [2010]

“Star Power, Bitches” Is it bad to say I think Paul W.S. Anderson gets a bad rap? This guy has been getting David S. Goyer type flack for years now, but while Goyer can write great work for other directors, saving himself the drivel, Anderson has seen a pretty solid slate of work. I think both Mortal Kombat and Event Horizon are vastly underrated and the first Resident Evil was a fantastic mood piece/sci-fi/actioner. After marrying muse Milla Jovovich, however, he took a back seat by writing the next two…

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