REVIEW: Miller’s Crossing [1990]

I’ll think about it. The mob is a business like any other. Leadership must be strong and decisive, employees must be loyal to a fault, and every once in a while you have to cut someone you like loose in order to not anger someone you might like less but definitely need more. Despite everything we learn as kids that ends up being useless, the concept of “choosing the lesser of two evils” will forever prove as useful as breathing and yet we have trouble reconciling such dilemmas due to…

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REVIEW: Murder on the Orient Express [1974]

With the help of a hat box. If the way in which Hercule Poirot (Albert Finney) manipulates his suspects into perfectly incriminating themselves upon inquisition—often unbeknownst to us until the final reveal—infers that he has a photographic memory, we the audience need a bit more exposition as it concerns yet unseen connections than perhaps the film would like to share. This is why director Sidney Lumet and screenwriter Paul Dehn provide an opening montage of newspaper clippings and shadowy reenactments of young Daisy Armstrong’s kidnapping and subsequent murder. Because it…

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INTERVIEW: Timothy J. Cox, star of Simple Mind, Choosing Sides, and more

Becoming a working actor is hardly an easy career path chosen lightly. For character actor Timothy J. Cox the journey towards independent film began by accident in 8th grade yet became a calling it would seem he was born to follow. Still, it took him almost a decade of living in New York City before making the decision to focus his professional efforts onto the film set above the theatrical stage. Whether performing in student thesis projects, indie shorts, contests, or features, Cox has made a name for himself through…

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REVIEW: Skyfall [2012]

“He’s keen to get home” With Paul Haggis relinquishing co-writing duties opposite duo Neal Purvis and Robert Wade to John Logan, the newest iteration of James Bond finds itself an autonomous entity. More attuned to the legacy that came before Daniel Craig donned the suit, we no longer need to worry about Mr. White or the loss of Vesper Lynd because their tale has run its course. Instead, Skyfall deals with a new chapter in the aging hero’s life as his and his employer’s loyalty is questioned against the changing…

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REVIEW: The Bourne Legacy [2012]

“We are morally indefensible and absolutely necessary” There was bound to be fallout after Jason Bourne ran amok avenging his girlfriend’s death and shutting down the government agencies that turned him into a cold-blooded killer. With his amnesia-induced morality’s push towards righteousness and its ability to turn executives like Pam Landy (Joan Allen) sympathetic to his plight, fixers behind the scenes of this CIA blunder realized public knowledge of Operations Treadstone and Blackbriar could risk exposing the myriad other similar programs being performed by high-level security officials doing their best…

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FILM MARATHON: Julia Roberts #5 – Erin Brockovich [2000]

“They’re called boobs, Ed” It’s one of those stories to show no matter how bad things are when you’re flat broke, single, raising three kids, and unemployed, sometimes having the high-paying job makes it so your personal life is even worse. Erin Brockovich is a fascinating case study on how a tenacious attitude, street smarts, and an ability to talk to people as though you’ve known them your whole life—with a not so subtle flash of cleavage—can allow you do accomplish pretty much anything you want. Down on her luck,…

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REVIEW: Before the Devil Knows You’re Dead [2007]

“May you be in heaven half an hour before the devil knows you’re dead” The often-used phrase about how it was too bad such great acting was wasted on an inferior film has always intrigued me. The last time I felt it was with The Last King of Scotland. There, however, its top-notch performances vaulted its above average story into a highly enjoyable experience. That is how these instances usually go for me. I don’t mind if the movie is on the simple side if the acting is worth the…

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REVIEW: The Bourne Ultimatum [2007]

“He just drove off the roof” I have never been one to shy away from saying that most action films do nothing for me. Most times they’re blatant vehicles to blow stuff up, show off sexy models, and throw any semblance of reality or intelligence out the window. With that said, however, the Bourne series has been fantastic. Doug Liman ushered in a new take on action by using a more cinema verite style, showing the fights in full force while making our super spy someone we can relate to…

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