REVIEW: The 33 [2015]

“Aim to miss” As if being the international feel-good story of 2010 wasn’t enough, the Copiapó mining accident at the San José copper/gold mine in the Atacama Desert of northern Chile included the type of personal, human melodramatic intrigue ripe for cinematic interpretation. Sourced from Hector Tobar‘s non-fiction novel Deep Down Dark (commissioned with each miner’s help so one couldn’t benefit more than another), Patricia Riggen‘s The 33 could be fiction. Mario Sepúlveda (Antonio Banderas) was working his day off, Álex Vega (Mario Casas) was days from fatherhood, and Mario…

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REVIEW: Cake [2014]

“Forgive me” It may not be the best film utilizing its melancholic subject matter, but Cake is not as bad as the critical sphere appears to want us to believe. The credit for this goes to screenwriter Patrick Tobin for distilling his character’s grief, depression, and malaise into a precisely calculated 102-minute rebirth. We receive a lot of information through the interactions of people, expressive postures towards specific situations, and the blackly comic exchanges on behalf of Claire Bennett (Jennifer Aniston), a woman desperately trying to hide behind the cynical…

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REVIEW: Babel [2006]

“The brightest lights on the darkest nights” The final piece to Alejandro González Iñárritu and Guillermo Arriaga’s unofficial trilogy has finally reached theatres. Babel is a sprawling tale spanning multiple countries and languages as a lone gunshot leaves reverberations throughout the world, interfering with the lives of many people who at first glance are seemingly unrelated. These two men, director and writer respectively, have crafted two previous masterpieces with themes of love and sorrow, pain and redemption. From Amores Perros and 21 Grams, we are shown a steady progression of…

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