REVIEW: Anomalisa [2015]

“Nah. That’s British Airways.” Leave it to Charlie Kaufman to write a play about human connection and have it be just three actors who don’t physically interact—two playing single characters and the third everyone else with no discernable attempt to differentiate his voice. Then leave it to Dino Stamatopoulos and Dan Harmon of “Community” and “Moral Orel” fame to think it would make a great stopmotion animated film co-directed by Duke Johnson wherein Tom Noonan‘s stable of characters could literally all have the same face. This is Anomalisa: an adaptation…

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Posterized Propaganda December 2011: Numbers and Faces

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. December is here and the posters are many. With studio releases being pumped through NY and LA during the holidays for award consideration, the number of films coming out this…

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REVIEW: Drive Angry 3D [2011]

“Please … aim fer their tires” You have to respect a man who seems to love his work. Why else would Nicolas Cage, an actor so full of talent and skill at his craft—see Leaving Las Vegas and Adaptation.—continuously partake in endeavors that are for all intents and purposes unworthy of an audience? It has to be because he finds pleasure in greasing up whatever obscene hairdo he currently has and appropriating that redneck drawl he so loves. There is something to becoming caricatures and wreaking havoc onscreen, being evil…

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REVIEW: Bitch Slap [2009]

“Lusting after strapping Latvian gymnasts” What did I just watch? To say Bitch Slap is an oddity would be an understatement. Half soft-core porn without the nudity and half blood-soaked action orgy, Rick Jacobson’s film is a fourteen year old’s wet dream. Sitting through it is like watching a movie from the mind of Donald Kaufman, the fictional brother in Charlie Kaufman’s Adaptation, putting action and sex above any semblance of quality acting or coherent storytelling. I laughed throughout and do believe that reaction was intended despite it’s attempts at…

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REVIEW: 8 1/2 [1963]

“Because he doesn’t know how to love” With the soon to be released Nine on its way, I had to finally dust off my Criterion DVD of Federico Fellini’s 8 1/2 for a viewing (that musical is based on it). Besides all the praise lauded, I really had no idea what to expect. It only took about ten minutes or so to discover that we wouldn’t have Charlie Kaufman if it were not for this film, Fellini’s interpretation of his inner thoughts both creatively and personally road-blocked. Synecdoche, New York…

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Top 25 Films of 2002

(short and sweet and to the point; culled from watching 87 releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: Spider directed by David Cronenberg #24: Scotland, P.A. directed by Billy Morrissette #23: Death to Smoochy directed by Danny DeVito #22: Catch Me If You Can directed by Steven Spielberg #21: The Good Thief directed by Neil Jordan #20: The Bourne Identity directed by Doug Liman #19: Narc directed by Joe Carnahan. #18: Equilibrium directed by Kurt Wimmer. #17: Confessions ofa…

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