Picking Winners at the 92nd Annual Academy Awards

The 92nd Annual Academy Awards hits airwaves Sunday, February 9th, 2020 at 8:00pm on ABC. For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: Let’s face it. The Oscars have been irrelevant from a creative standpoint since … probably forever. The whole thing is a marketing ploy to boost box office numbers and give trailer makers something to put next to names of creative. That’s why theaters re-release nominees. That’s why boutique studios hold wide rollouts until foreign…

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Online Film Critics Society Ballot 2019

Below is my December 26th ballot for the 23rd annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2019 calendar year. Each category is ordered according to my preferential rankings. Group winners were announced on January 6th, 2020 and are labeled in red.

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REVIEW: Star Wars: The Rise of Skywalker [2019]

Some things are stronger than blood. The return of Star Wars was always going to include a third trilogy because George Lucas had talked about his Skywalker saga being nine films way back in the 1980s. And since he eventually got chapters one through three on the big screen himself, it was guaranteed that Disney’s plans entailed pumping out chapters seven through nine. So why didn’t they game plan that arc? This isn’t like the Marvel Cinematic Universe where tenuous connections over ten films allow for multiple cooks to be…

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REVIEW: Marriage Story [2019]

The pie was just a pie. It’s crazy how love changes the way we see things. Ambition can look like genius when we’re there as a supportive cheerleader and narcissism when we begin to recognize our sacrifices in seeing it get fulfilled. Success can be construed as a mutually beneficial byproduct of a union when one is strong and fertile, but also evidence of what we personally brought to the equation despite the other when we’re picking through the past to dissect what went wrong and who’s to blame. We…

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TIFF19 REVIEW: The Report [2019]

It’s based on science. It matters that Diane Feinstein and other Senators (John McCain included) fought to make the Intelligence Committee’s report on “Enhanced Interrogation Techniques” public because it held information the American people needed to know about how the CIA conducted itself after 9/11. While many would say the fact nobody has been prosecuted or held accountable since for what was laid out is the most important takeaway, however, I’d disagree. To me writer/director Scott Z. Burns distilled it in one line of dialogue during his cinematic adaptation of…

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REVIEW: The Man Who Killed Don Quixote [2019]

You think explaining explains anything? I’ve just finished watching it and yet I still can’t believe Terry Gilliam actually completed The Man Who Killed Don Quixote. If you told me I had dreamt it all I would give pause because it’s been over twenty years in the making and its cursed production schedules have become something I relied upon. First he wanted to do a straight adaptation of Miguel de Cervantes‘ novel only to have it fall through. Then came the flash flood and insurance nightmare documented in Keith Fulton…

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Picking Winners at the 91st Annual Academy Awards

The 91st Annual Academy Awards hits airwaves Sunday, February 24th, 2019 at 8:00pm on ABC. For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: It’s the type of year where hashtags rhetoric simply won’t work. There’s just not one all encapsulating buzzword to touch upon the myriad problems these nominations face. What do you do when you have a film up for Best Picture that was directed by a known presumed sexual predator who was fired for not…

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Online Film Critics Society Ballot 2018

Below is my December 27th ballot for the 22nd annual Online Film Critics Society Awards honoring movies released domestically in the United States during the 2018 calendar year. Each category is ordered according to my preferential rankings. Group winners are labeled in red. (No option to abstain was supplied this year.)

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REVIEW: BlacKkKlansman [2018]

Did you just use your real name? The fact that Spike Lee‘s BlacKkKlansman is based on a true story is absolutely crazy. A black rookie cop in Colorado calls the Ku Klux Klan, wins them over with racist rhetoric, and talks his precinct chief into approving an investigation wherein a white officer would pretend to be him in-person before ultimately coming face-to-face with Grand Wizard David Duke? You literally cannot write a more scathing commentary on the hubris of white supremacists or the courage of those fighting the good fight…

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REVIEW: Star Wars: The Last Jedi [2017]

No one is ever really gone. If you ever saw a kids show during the Aughts you’ll be familiar with the educational tactic of repeating a message over and over again throughout an episode before repeating that episode each day of the entire week. This was a huge component of “Blue’s Clues” because it was proven to work. There’s no better way to ingrain a theme than by hammering it in until the viewer can no longer ignore it if he/she tried. But while this is an appropriate technique for…

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REVIEW: Logan Lucky [2017]

“Did you just say cauliflower to me?” The story is as follows: Steven Soderbergh—while on hiatus from feature films (previously known as retirement)—received a script from a mutual friend of his and screenwriter Rebecca Blunt (who might not be a real person). He fell in love with its stripped down Ocean’s 11 feel devoid of the posh financial backing robbing casinos needs and knew he’d regret handing it off to a recommended contemporary instead of helming it himself. Soderbergh therefore sat on this hillbilly heist gem until his show (“The…

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