REVIEW: The Muppet Christmas Carol [1992]

“Heeeeyyy. You’re not Charles Dickens.” Not having seen The Muppet Christmas Carol in over a decade made me forget how effective an adaptation it is of Charles Dickens‘ classic tale. It helps that I’ve seen other iterations in the meantime, especially the one from 1951 starring Alastair Sim which Brian Henson‘s version works hard to closely mimic. There are obvious excisions such as Ebenezer Scrooge’s sister and additions like manufacturing Jacob Marley a brother named Robert so Statler and Waldorf can both get in on the fun, but for the…

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REVIEW: Scrooged [1988]

“Cupid’s arrow, right between the eyes” While there have been countless iterations of Charles Dickens‘ seminal novel A Christmas Carol—with the 1951 Alastair Sim starrer proving the best and modernized retreads like Ghosts of Girlfriends Past supplying the worst—one sometimes overlooked comedic gem from 1988 has always been this writer’s personal favorite. Titled Scrooged, screenwriters Mitch Glazer and Michael O’Donoghue went meta with the concept of its ubiquity by telling us a tale of a man who is quite literally “scrooged” while producing a legitimate adaptation of the real story…

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REVIEW: Flight [2012]

“Say, ‘I love you, Trevor’” I’m going to chalk Flight‘s failure up to Robert Zemeckis being away from live action dramas too long. Manipulation works in children’s cartoons like his The Polar Express and A Christmas Carol because you’re supposed to be preaching some sort of morality lesson on the impressionable through a fun, heartwarming tale. For adults, however, more intrigue than a cool concept left neutered in lieu of showcasing its leading man’s inner turmoil is necessary. Yes, much of the blame lays in the hands of screenwriter John…

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REVIEW: The Change-Up [2011]

“Rotate your turret and go night night” It may be overly derisive to say, especially from a guy who watched Like Father Like Son and Vice Versa religiously during the late-80s, but The Change-Up has to end up being the laziest piece of cinema released this year. Scribed by the duo behind both Hangover flicks, Jon Lucas and Scott Moore appear to be making a conscious effort to create ‘modern updates’ of tired concepts. After the ho-hum, not as bad as it should have been Ghosts of Girlfriends Past redid…

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REVIEW: Avatar [2009]

“I see you” I have one major problem with Avatar and that is what it means for the future of my home entertainment system. How can I ever replicate the visceral spectacle I experienced with a five-story screen, digital sound blaring, and 3D technology that is so beyond any I’ve seen before that nothing short of ‘blown away’ can describe it? I’m not sure I ever could and that is what may make this film as successful or more than its creator’s last, Titanic. People aren’t going to want to…

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REVIEW: A Christmas Carol [2009]

“Know me better man” What to say about a film based on a novel of great importance that doesn’t quite live up? You can’t go wrong with Charles Dickens’ essential A Christmas Carol, especially when it is done accurately. One thing that director Robert Zemeckis cannot be faulted for is his staying faithful to the tale and bringing it to a new generation of the masses. The Alastair Sim version from 1951 will always be, to me, the best adaptation, but the entries that spring boarded in their own directions…

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REVIEW: Ghosts of Girlfriends Past [2009]

“I’m gonna have to do this in bulk” My research into the new A Christmas Carol rip-off for the rom-com demographic, Ghosts of Girlfriends Past, yielded one very interesting tidbit of information—director Mark Waters received a “special thanks” on the production of Requiem for a Dream. No disrespect to the man as I’m a big fan of Mean Girls and have wanted to check out his Spiderwick Chronicles, but how does he know Darren Aronofsky? This has all of a sudden taken over my complete interest pertaining to the new…

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REVIEW: Scrooge [A Christmas Carol] [1951]

“God bless us, everyone” Being that my only previous knowledge of Charles Dickens’ A Christmas Carol came from a rendition done by the muppets and a Bill Murray comedic vehicle, I was quite looking forward to checking out, what many call, the definitive version from 1951. I have never read the book, however, a friend of mine said he had just finished reading it again before our viewing, and that this movie was as close as can be without alienating the audience with archaic language. While the title at beginning…

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