REVIEW: The Big Sick [2017]

“Always with the comedy” A lot of romantic comedies release each year—a lot. And they’re generally all the same with characters built from stereotypes rather than a writer’s personal experience. The ones that stick out are therefore those that arrive from the heart with something true to say. They’re the few possessing the honesty to […]

REVIEW: The Monster [2016]

“I wish you listened more” Monster movies are tough because there’s a desire to go full bore into cat and mouse chaos or metaphorical symbolism. Things get muddled when both are attempted at once without the correct balance. I’m not saying picking one or the other always spells success—writer/director Bryan Bertino‘s debut The Strangers ultimately […]

TIFF13 REVIEW: The F Word [2014]

“Love is stupid monkeys dancing in a slapstick hurricane” I’m officially a sucker for romantic comedies where guy meets girl by engaging in sarcastically cynical conversation consisting more of glib quips than substantive information. It’s more than likely because that’s exactly what my girlfriend and I do even to this day and most definitely because […]

INTERVIEW: Adam Brody, star of Some Girl(s)

Best known as geeky Seth Cohen on “The O.C.”, Adam Brody has become a familiar comedic face in Hollywood over the past decade. With a recent turn in Whit Stillman‘s Damsels in Distress and now this Neil LaBute adaptation from his own play Some Girl(s), however, he’s beginning to branch out towards scripts and filmmakers […]

INTERVIEW: Neil LaBute, writer of Some Girl(s)

Always prolific on the playwright front, Neil LaBute’s past decade at the movies has been filled by studio pictures that never quite found the creative success of earlier works In the Company of Men or The Shape of Things. However, hot on the heels of his first original work since—Some Velvet Morning—a new adaptation of […]

REVIEW: Some Girl(s) [2013]

“Guys always mean well right before they screw someone over” Often labeled a misogynist misanthrope, Neil LaBute has made a career of writing self-absorbed characters completely ruining the lives of those around them for the fleeting second of giddy happiness resulting from knowing they’re in absolute control. Whether its two men actively seeking to destroy […]

REVIEW: Ruby Sparks [2012]

“I will never write about her again” The debut screenplay from actress Zoe Kazan includes moments ringing absolutely true and others completely false. I can’t stop thinking about Harry Weir-Fields (Chris Messina) giving his brother Calvin (Paul Dano)—the film’s lead—notes on his new, very rough manuscript. Asking without a shred of patronization who the target […]

REVIEW: Happythankyoumoreplease [2011]

“Who says Santa’s pants have to be red?!” It only took about halfway through Happythankyoumoreplease before I began to think about the one thing I probably should have latched onto from the start. The comparisons between this and 2004’s Garden State are unmistakable. And it’s not just the obvious—or what should be obvious if my […]

TIFF08 REVIEW: Me and Orson Welles [2008]

“Quadruple space” I am a huge fan of Tim Robbins’ film Cradle Will Rock. The cast is amazing, the story epic in scope, and the behind the scenes setting of the theatre and arts world is something I enjoy. So, when I saw that Richard Linklater had a new film at the Toronto International Film […]