REVIEW: Café Society [2016]

“Dreams are … dreams” Ever since Woody Allen left New York City for England in 2005 to create some really spectacular films outside his usual comedic efforts of neurotic meet-cutes, I may have intentionally tried to avoid anything he made with a character he would have played himself a decade prior. I personally don’t count […]

Posterized Propaganda July 2014: ‘Magic in the Moonlight,’ ‘A Most Wanted Man,’ ‘Life Itself’ and More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

Top 25 Films of 2013

(short and sweet and to the point; culled from watching 220+ releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: Mud directed by Jeff Nichols #24: Pacific Rim directed by Guillermo del Toro #23: The Conjuring directed by James Wan #22: Satellite of Love directed by […]

The 86th Oscars recap through tweets …

Welcome to the 86th Annual Academy Awards everyone! If you didn’t watch the festivities that occurred Sunday night at the Dolby Theatre you are probably a lot better off than most of us because it was a very lackluster affair. We all hoped Ellen DeGeneres would bring a fun, smart, witty return to her success […]

Picking Winners at the 86th Annual Academy Awards

The Oscars are generally quite boring, since we often know well in advance what is going to win Best Picture, Director, etc. But this year? Not so much. Sure, there are heavy favorites — see below. But it is entirely possible there will be some real surprises. Of course, I could be completely wrong. But […]

REVIEW: Jagten [The Hunt] [2013]

“Then you can have a kick in the butt” I used to just walk outside the house and play with the neighborhood children in the street when I was young. We’d go anywhere we liked in this idyllic environment of safe trespass amongst unknown adults and kids along the way. So, it’s still difficult to […]

REVIEW: Blue Jasmine [2013]

“When I did what I did I regretted it” A film dealing with issues of causality, Woody Allen‘s Blue Jasmine provides much more than surface appearances. Rather than simply be a character study of an emotionally and psychologically broken woman whose rarified airs of elitist wealth came crashing down after her husband’s villainous financial skeletons […]

INTERVIEW: Neil LaBute, writer of Some Girl(s)

Always prolific on the playwright front, Neil LaBute’s past decade at the movies has been filled by studio pictures that never quite found the creative success of earlier works In the Company of Men or The Shape of Things. However, hot on the heels of his first original work since—Some Velvet Morning—a new adaptation of […]

Picking Winners at the 85th Annual Academy Awards

Supporting Actress: Amy Adams: The Master Sally Field: Lincoln Anne Hathaway: Les Misérables Helen Hunt: The Sessions Jacki Weaver: Silver Linings Playbook William Altreuter: It often seems to me that the Best Supporting categories are where the most interesting things are to be found in the Academy Award nominations, and this year is proving me right. What we often get—especially with Best Actress […]

REVIEW: Socks and Cakes [2010]

“I thought we were going to be six for dinner?” Writer/director Antonio Padovan‘s short film Socks and Cakes plays like an intriguing treatment for a piece much grander in scope. Shades of early Woody Allen come through from the stark white on black opening credits and Greenwich Village setting while the loquacious dinner settings of […]

Posterized Propaganda June 2012: Blockbusters Arrive, Creativity Stays Home

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]