ANOMALY19 REVIEW: VFW [2019]

Same mud. That co-writer Matthew McArdle remains shocked even after seeing the film he and Max Brallier wrote on the big screen shows how tough the accomplishment proves. Best friends since childhood, the two began their script for VFW with transparent intentions as far as harkening back to the no-holds-barred VHS gems they’d scour video store shelves to find. Using John Carpenter‘s Assault on Precinct 13 as inspiration, they created a group of aging vets decades-removed from service yet still thick as thieves with a drug-fueled, zombie-esque horde threatening to…

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REVIEW: Shoot Me Nicely [2017]

“Was it really that small?” A good cause and effect tale is hard to come by within an era of more is more popcorn fluff filled with contrivances nobody can feasibly ignore. But that’s exactly what Elias Plagianos delivers with short film Shoot Me Nicely. This is not to say there aren’t any coincidences involved to help propel the narrative forward, just that these moments arrive in a way where lead character Sean Wheeler (John Behlmann) has a choice. The coincidence doesn’t seal his fate one way or the other,…

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FANTASIA15 REVIEW: Ava’s Possessions [2016]

“Did anyone call in sick for me?” When the industry is inundated with supernatural horror redundancies like it has for the past two decades, work like Edgar Wright and Simon Pegg‘s Shaun of the Dead or Justin Benson and Aaron Moorhead‘s Spring are necessary to kept things from going stale. A point when audiences simply stop caring does exist. It’s apparently much farther out from the fad’s onset than you’d think America’s attention-deficiency would tolerate, but it will eventually arrive. Perhaps this extended longevity can be attributed to just such…

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REVIEW: Iron Man 3 [2013]

“How did you get out of the wormhole?” Phase Two of Marvel’s cinematic universe begins with the character that started their astronomically successful multi-narrative platform—Iron Man. And while a line of text following the always-assured post-credits sequence states that “Tony Stark will be back”, the question remains whether or not actor Robert Downey Jr. will be under the helmet. It’s therefore no surprise to see the studio looking to end this trilogy with a bit of arc closure just in case as the progression from a once billionaire playboy to…

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REVIEW: Man on a Ledge [2012]

“I can see his leg shaking from here” I’ll give TV movie scribe Pablo F. Fenjves light applause for hooking me during the first two thirds, but the real kudos go to documentarian Asger Leth and his ability to make even the implausibly contrived and impossibly far-fetched finale not take away from the entertaining little gem his fiction debut Man on a Ledge surprisingly ends up being. It’s convenient, convoluted, and pretty hard to stomach in terms of realism, but something about the acting and sporadic bits of humor kept…

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REVIEW: The Mist [2007]

“You’re all right Big Bill” I always say to people that Frank Darabont is the only man who can truly make a great Stephen King adaptation. I’m not so sure I have the credentials to state that as fact, but I do anyways. I love The Shawshank Redemption, but never read Rita Hayworth… and I read The Green Mile, but still have yet to watch the film. So, I can’t quite compare his work with that of the author, however, that did little to temper my anticipation for his first…

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