REVIEW: Bad Boys for Life [2020]

Ask the horse. The synopsis started with “two hip detectives” back in 1995 after Bad Boys switched gears from being a Jon Lovitz and Dana Carvey vehicle to the Michael Bay action extravaganza we know it as starring Will Smith and Martin Lawrence. It took eight years for “hip” to turn to “loose-cannon narcotics cops” as Bad Boys II brought Mike Lowrey and Marcus Burnett respectively back to the big screen with even more car chases and shootouts to earn the adjective. Both films were entertainingly mindless fun with the…

Read More

REVIEW: Gemini Man [2019]

I just want some peace. It took twenty years, multiple rewrites, and a who’s who list of directors and stars, but Gemini Man finally made it to the big screen. And original scribe Darren Lemke kept his story and screenplay credits through everything. That says something considering these development hell miracles too often become abominations so far removed from their auspicious beginnings that there’s no sign of what got studios excited in the first place. David Benioff and Billy Ray earned their place beside him with Ang Lee putting his…

Read More

REVIEW: Aladdin [2019]

Get your own jam. The Disney animated film that demands most skepticism when considering a live-action remake is Aladdin. No character besides the late Robin Williams‘ Genie has transcended its source to become larger than the Mickey brand itself and no actor could ever dream of filling his shoes with an impression guaranteeing unflattering comparisons. So give the studio credit for understanding “big” can only be combated by an equal or greater level of “bigness” such as the casting of Will Smith provides. He truly was the perfect choice from…

Read More

REVIEW: Collateral Beauty [2016]

“If only we could be strangers again” There’s a moment in the trailer for Collateral Beauty where Helen Mirren‘s character of “Death” is talking to someone that we cannot quite see but definitely know isn’t Will Smith. This was an intriguing “a-ha” moment for me because the premise of Allan Loeb‘s script—which passed through Alfonso Gomez-Rejon‘s hands when Hugh Jackman was attached before landing in David Frankel‘s lap—states that only Smith’s grieving Howard Inlet can see her. She’s an abstract construct much like “Love” (Keira Knightley) and “Time” (Jacob Latimore),…

Read More

REVIEW: Suicide Squad [2016]

“Let’s just say I put him in a hole and threw away the hole” I feel for David Ayer. He seems super jazzed about his work on Suicide Squad with good reason and I’m ecstatic Warner Bros. chose him to lead this ragtag bunch of miscreants with some great outside the box hiring, but the film can’t help feeling like a commodity rather than art. Sadly I think most of DC’s early installments will have their hands tied in much the same way because they’re being asked to do way…

Read More

Picking Winners at the 88th Annual Academy Awards

For those handicapping at home, here are the guesses of Buffalo film fanatics Christopher Schobert, William Altreuter, and myself. Jared Mobarak: Here’s hoping Chris Rock does his best Ricky Gervais as far as not caring about political correctness or duty to kissing up to the celebrities all dressed-up nice because having him host the 2016 Oscars ceremony amidst the whole #OscarsSoWhite controversy is an opportunity not to be squandered. Two years in a row with no black actor/actress up for gold? That’s a major problem with The Academy and the…

Read More

REVIEW: Concussion [2015]

“Tell the truth” As of September of 2015 it was reported that 87 former NFL players tested positive for chronic traumatic encephalopathy (CTE) out of the 91 deceased men researchers at Boston University autopsied. That’s almost 96%. Their study revealed that 79% of all players (professionally, semi-professionally, or college/high school athletes) examined had it—damning numbers not to be ignored and yet the NFL did for many, many years. How long and what exact details they denied, we may never know. Settlements are funny that way. It’s hardly surprising, with the…

Read More

REVIEW: Focus [2015]

“Nice jacket” You know that moment in a con movie where you’re shown an elaborate sequence full of subtle background action without knowing exactly what’s happening until the mastermind explains it all to a colleague—and us—who’s unaware? It’s my favorite trope of the genre because it either provides a sense of awe in the trick’s success or allows me to pat myself on the back for noticing the ruse. Sadly, Glenn Ficarra and John Requa forget the first part and keep us in complete darkness assuming their revelation will prove…

Read More

REVIEW: Wild Wild West [1999]

“Never drum on a white lady’s boobies at a big redneck dance” Let’s just say that Mel Gibson and Tom Cruise dodged a bullet by backing out of Wild Wild West during its seven-year gestation. Its script probably wasn’t nearly as off-the-wall goofy at the start considering their clout as actors, but I highly doubt either would have been up for the parody it became. While the 90s were all about the television adaptation anyway—Gibson went on to do the lackluster Maverick and Cruise the effective Mission: Impossible—I’m not sure…

Read More

The 86th Oscars recap through tweets …

Welcome to the 86th Annual Academy Awards everyone! If you didn’t watch the festivities that occurred Sunday night at the Dolby Theatre you are probably a lot better off than most of us because it was a very lackluster affair. We all hoped Ellen DeGeneres would bring a fun, smart, witty return to her success with the 79th installment, but the reality ended up being one of the most dull and safe presentations in quite some time. I guess it wasn’t all bad, though, considering the Academy actually got most…

Read More

Posterized Propaganda June 2013: The Apocalypse is Nigh With ‘Man of Steel,’ ‘World War Z,’ ‘This is the End’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Summer continues chugging along with the America and/or Earth threatened by destruction at every turn. Whether comic book adaptations, zombie wars, terrorist assaults or a giant pit opening up to…

Read More