Top Ten Films of 2014: A deluge of sci-fi doppelgängers and one-word titles

I don’t want to label 2014 as a good, bad, or average year. I want to call it inventive, original, and delightfully dark. Whether it’s doppelgänger paradoxes leading to murderous rage, the bleak carnage of war, prison violence, or psychologically debilitating struggles to be great, my favorite films had an edge that cut to the bone by credits’ end. The best thing I can say about 2014 is that my top ten (heck, maybe my top twenty-five) could be re-organized and re-listed without making me too angry about what is…

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Picking Winners at the 87th Annual Academy Awards

Things look pretty cut and dry where the Academy is concerned in 2015. The Oscars are always a somewhat watered-down look at what really mattered in the past year of cinema and this installment is no exception. In fact, it may be all water at this point. That doesn’t mean there can’t be some intriguing surprises in the second-tier categories like Best Animated Feature (I really hope How to Train Your Dragon 2 loses to one of the other much more aesthetically and conceptually unique nominees) or Short Film Animated…

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REVIEW: Wild [2014]

“Cold mush dreams” The cinematic adaptation of Cheryl Strayed‘s memoir Wild: From Lost to Found on the Pacific Crest Trail seems to be getting pigeonholed hard as being solely a tale of female empowerment. It most definitely is, but I’m not sure critics should necessarily call it a day with such a generic categorization. There’s a deeper draw to the author’s solo, one thousand mile journey along the Pacific Crest that hits at a human level way beyond gender. Was Into the Wild only thought of as a tale of…

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Posterized Propaganda January 2015: The Top 10 Movie Posters of 2014

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column (with a special year-end retrospective today) focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. I usually find myself needing to whittle down a list of around twenty posters to the fifteen showcased below. For 2014, however, my list…

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Posterized Propaganda December 2014: ‘Selma,’ ‘Inherent Vice,’ ‘A Most Violent Year,’ and More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Looks like December is officially too important to riddle with holiday fare despite Christmas remaining a huge opening day at the movies. Besides a couple family friendly trilogy cappers and…

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Toronto International Film Festival 2014 Preview

We may have two consistent film festivals here in town showcasing small releases and restored classics, but you might not realize how close we are to one of the biggest in the world. Most “in the know” will center on five events when thinking about the best of the best film festivals and while Venice, Cannes, and Berlin are an ocean away and Sundance is across the country, The Toronto International Film Festival is less than a two-hour drive via the QEW into Canada. Even better than proximity, though, is…

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