“You snuck out of the house for less” I can’t wait for the Director’s Cut. No, not Criterion’s much ballyhooed 216-minute edit of Michael Cimino‘s Heaven’s Gate. I’m talking about Salim Akil‘s Sparkle. I need to try and piece together the gaps leading towards its imploded Motown trio’s back-up singer earning a sold out first ever solo show with full orchestra and gospel choir after barely receiving two minutes of unsolicited time from the record executive who already dropped her once. I don’t care if her voice is like listening…
Read MoreREVIEW: Sparkle [2012]
