REVIEW: La La Land [2016]

“Or one more dream that I cannot make true” Writer/director Damien Chazelle burst onto the scene in 2014 on the back of his Oscar-nominated and critical darling Whiplash. It took this jazz drummer time to finally breakthrough with his sophomore feature, time that saw actors and producers taking a risk on him that would ultimately […]

Top Ten Films of 2014: A deluge of sci-fi doppelgängers and one-word titles

I don’t want to label 2014 as a good, bad, or average year. I want to call it inventive, original, and delightfully dark. Whether it’s doppelgänger paradoxes leading to murderous rage, the bleak carnage of war, prison violence, or psychologically debilitating struggles to be great, my favorite films had an edge that cut to the […]

The 87th Oscars recap through tweets …

I’m not sure why I keep filling myself with false hope that the Oscars will one day be an entertaining show to watch. The optimism is almost completely unfounded by this point. Whether they go weird (Anne Hathaway and James Franco), safe (Billy Crystal), hip (Seth MacFarlane), or try and steal another show’s success (Neil […]

Picking Winners at the 87th Annual Academy Awards

Things look pretty cut and dry where the Academy is concerned in 2015. The Oscars are always a somewhat watered-down look at what really mattered in the past year of cinema and this installment is no exception. In fact, it may be all water at this point. That doesn’t mean there can’t be some intriguing […]

REVIEW: Whiplash [2014]

“I belong here” And here I naively thought the dinner sequence from The Riot Club would end up proving my favorite scene of the year despite the film itself leaving a lot to be desired. It just goes to show that you can never be sure until every prospective entry is counted because the final […]

Posterized Propaganda October 2014: ‘Gone Girl,’ ‘Nightcrawler,’ ‘Whiplash,’ and More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

Wiig, Gyllenhaal, and Monster Love at the 2014 Toronto International Film Festival

Friends and family think me crazy for driving up the QEW so I can sit in darkened theaters for around thirty of a total eighty-hours in Toronto, but I wouldn’t spend my early September days any other way. This is what the Toronto International Film Festival does—it makes you look sanity in the face, say no […]