Top 100 Films of the Decade: 2010-2019

If you asked me in 2010 which studios’ films would be amongst my favorites over the next ten years, I probably would have answered two correctly: Fox Searchlight (11) and Sony Pictures Classics (7). Those are two independent shingles of big Hollywood names that have been pumping out quality pictures for decades. Next up would have been The Weinstein Company (5), Warner Bros. (4), Paramount (4), Universal (4), and Sony Pictures (3) because they were cinema. So why are they barely beating those other two combined? Because the game changed.…

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Top Ten Films of 2012: Ensembles upon ensembles

Many have been saying 2012 was a great year for movies. I’m not sure I fully agree. There were a ton of solid 7/10s and 8/10s, yes, but how does that compare with previous years when the amount of 10/10s were also drastically reduced? It took until September for me to give a film four stars and the two I did laud with such a distinction that month were the only ones. Rather than a showcase of masterpiece cinema, 2012 was instead a year of the performance. And I mean…

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REVIEW: The Perks of Being a Wallflower [2012]

“We are infinite” Adolescent tomes depicting the trials and tribulations of high school are many; the ones infused with psychological trauma and bouts of depression their majority. But while most find the need to talk down to audiences by over saturating themselves in comedic anecdotes rather than humanity, it’s the rare instance of authenticity that speaks to you. It’s not because you too were damaged and friendless, but merely because you understand. We’ve all coped with the struggle of starting fresh at a new school with a foreign curriculum, acquaintances…

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Top Ten Films of 2011: Melancholy with a slice of hope

If anyone tells you 2011 was a bad year for cinema, stop in your tracks, turn around and walk away without ever looking back. They have no idea what they’re talking about. With a wealth of quality films from bonafide auteurs devoid of source material, the sheer amount of original work is astonishing. The trend for remakes will most likely never end, but it’s good to know artists in and out of the Hollywood system are fearlessly treading their own path to make movies exciting again. And by exciting I…

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Top 25 Films of 2011

(short and sweet and to the point; culled from watching 150 releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: Win Win directed by Thomas McCarthy #24: The Adjustment Bureau directed by George Nolfi #23: Super 8 directed by J.J. Abrams #22: Source Code directed by Duncan Jones #21: Weekend directed by Andrew Haigh #20: The Interrupters directed by Steve James #19: Contagion directed by Steven Soderbergh. #18: Senna directed by Asif Kapadia. #17: Santiago 73, post mortem[Post Mortem] directed by…

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Picking Winners at the 84th Annual Academy Awards

For the next week and a half, Spree contributor William C. Altreuter, our online film reviewer Jared Mobarak, and me will share our thoughts on who will take home the Oscars. Let’s kick things off with … Best Supporting Actress. —C. S. BEST SUPPORTING ACTRESS:Bérénice Bejo – The Artist as Peppy MillerJessica Chastain – The Help as Celia FooteMelissa McCarthy – Bridesmaids as Megan PriceJanet McTeer – Albert Nobbs as Hubert PageOctavia Spencer – The Help as Minny Jackson Christopher Schobert: Bill, it seems like every time you and I tackle…

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REVIEW: We Need to Talk About Kevin [2011]

“He’s a funny little boy, isn’t he? But there’s nothing wrong with him.” Six words coming too late—We Need to Talk About Kevin. For mother Eva Khatchadourian (Tilda Swinton), the sociopathic tendencies of her boy were prevalent since conception. But to her husband Franklin (John C. Reilly) their son was a happy, polite kid living life and getting into trouble like all boys his age do. Driving a wedge between them—a union bred from spontaneity and a lack of planning—Kevin appears to revel in the destruction he wreaks. Only letting…

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Posterized Propaganda December 2011: Numbers and Faces

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. December is here and the posters are many. With studio releases being pumped through NY and LA during the holidays for award consideration, the number of films coming out this…

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