To meet new faces and photograph them so they don’t fall down the holes in my memory. To look at some of the work of “unidentified” artist JR—giant black and white images pasted onto surfaces with a literal or figurative contextual relationship—is to see the type of community-based, socially conscious messaging Agnès Varda built a career documenting. It’s no surprise to therefore hear JR explain how meaningful Varda’s Mur murs was to him as a budding artist searching for his unique voice and style. I can think of no two…
Read MoreREVIEW: Visages, villages [Faces Places] [2017]
