TIFF18 REVIEW: Un ange [Angel] [2018]

I’d rather consider myself a gazelle. Two lost souls struggling to reconcile their image meet in Senegal by chance. One’s a prostitute—although she rejects the label and the registration card that’s as much a means to procure wealthy clients as a permanent brand upon her skin. The other is a world famous cyclist just recovered from a devastating accident that brought unsavory questions to light thanks to the hospital finding cocaine in his blood while there. Desperate to escape the limelight of fame and the spotlight of infamy, he flies…

Read More

REVIEW: Nocturama [2016]

It was bound to happen. What if a devastating act of violence was committed without purpose? Does it still have meaning? The answer of course is “yes” since such an attack leaves victims whether dead or psychologically scarred. Consequences reverberate well past borders of the town, country, and continent in which they occur because of the inherent fear they conjure. We wonder who will be next, dread the realization it could be us, and let paranoia seep into our very soul. This is why it’s called terrorism. It disrupts the…

Read More

REVIEW: Dheepan [2015]

“Be nice. That’s all.” It was a surprise when Palme d’Or winner Dheepan wasn’t chosen as France’s Oscar pick for the 2016 Academy Awards (interestingly enough the country selected Mustang, another film whose main language isn’t French). Even more surprising is how long it’s taken to open stateside as ten months sit between its debuts in Paris and New York. I guess it shouldn’t be too much of a shock considering many Americans will want nothing to do with a Tamil movie starring Sri Lankans, but that’s their loss considering…

Read More

REVIEW: Renoir [2013]

“A girl from out of nowhere sent by a dead woman” A name as prolific as Renoir can’t help conjure a litany of tales worthy of the big screen. None, however, are more intriguing than the discovery of the surname’s most famous owners—Impressionist painter Pierre-August and his film-directing son Jean—sharing the same muse. Despite its title then, Gilles Bourdos‘ Renoir is in many respects actually Andrée Heuschling’s (Christa Theret) story. A young dreamer aspiring to become an American actress, the fifteen year old arrives at their family retreat in Cagnes-sur-Mer…

Read More