REVIEW: The Killing [1956]

“Just a bad joke without a punch line” After test screenings left audiences confused and frustrated, writer/director Stanley Kubrick and producing partner James B. Harris decided to return to the edit bay and turn The Killing‘s overlapping, repetitious structure into a more linear A-to-B narrative. You can’t blame the former for wanting to do everything possible to make the film a hit since it was his first project with a real budget positioning his career forward (he’d disavowed Fear and Desire as amateurish and sophomore effort Killer’s Kiss proved almost…

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