REVIEW: Dark Waters [2019]

You think they’re gonna show me?! It’s crazy how our country protects for-profit businesses in ways that allow them to accrue astronomical profits with little to no oversight. There’s this notion that what they provide our economy outweighs the damage they inflict on our society. But who reaps that financial benefit? Rather than collect millions of dollars in taxes that could fund programs the poor need to survive, we line the pockets of the already rich and watch their trickle down faucets divert someplace else to line them thicker still.…

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REVIEW: Sicario [2015]

“For now let’s just keep an eye on the time” There should be no illusions that Denis Villeneuve‘s Sicario will deliver a story we haven’t seen before. Any action thriller set at the Mexican border between El Paso and Juarez is bringing heavy artillery, copious drugs, and amoral warlords on both sides of the fence/law. First-time screenwriter Taylor Sheridan of “Sons of Anarchy” fame knows this and therefore decides to place a slightly different spin on the proceedings. Rather than watch from the vantage point of those looking to deal…

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INTERVIEW: Jalmari Helander, writer/director of Big Game

After finding success from his debut feature Rare Exports: A Christmas Tale—an expansion of a world he created through two previous shorts all released together by Oscilloscope—Finnish writer/director Jalmari Helander did what many European filmmakers do and went English-language for his sophomore effort. But he did so on his terms by once again writing his own script and recruiting familiar faces to act against the newly accessible stable of international stars provided to him. The result is action romp Big Game and it has the potential of turning even more…

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REVIEW: Big Game [2015]

“Life is just too damn short not to have a cookie when you want one” Despite being rated PG-13 in America, Jalmari Helander‘s Big Game should target audiences between 10-15 like Dan Smith’s Young Adult novelization of the film. Being a Finnish production—the most expensive in the country’s history—probably means it did just that abroad. Unfortunately Americans cringe at the sound of curse words reaching their children’s ears, forgetting how readily accessible they are at home on TV and otherwise depending on whether parents or siblings aren’t careful. The inclusion…

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TIFF12 REVIEW: Argo [2012]

“The United States government has just sanctioned your science fiction movie” In 1979, tensions between Iran and the United States reached a boil after Ayatollah Khomeini called for a return of his predecessor—Shah Pahlavi—in order to try him in what would be a kangaroo court whether or not deserved. Allowed passage into the US to attend the Mayo clinic and combat his cancer, the fact we were housing him infuriated a group of Islamist students and militant followers of the Imam’s Line to the point of storming the American embassy…

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REVIEW: Take Me Home [2012]

“I actually really like the paint in the bedroom” A road movie that surprisingly doesn’t fall prey to the easy tropes of its brethren, Take Me Home uses the American landscape as a backdrop to its journey through the tumultuous expanse of two lost souls. States fly by in seconds without a mention, just glimpses outside the windows of the illegally operated taxicab taking our leads from New York City to Encinitas, California. Where most would bask in the ability to montage famous sites, writer/director/star Sam Jaeger only sprinkles in…

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