REVIEW: The Royal Road [2015]

“These inconceivable melodramas punctuate my waking life” No description of Jenni Olson‘s essay over landscapes film The Royal Road is more concise or accurate than the final words spoken upon the culmination of its 65-minute visual monologue: “I want to tell you a story about love and loss and San Francisco that reveals more about me than I ever expected to say.” This goal is achieved on every level with imperceptibly moving vignettes of Californian locales flashing across the screen that may or may not have anything to do with…

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Posterized Propaganda December 2012: A Cinematic Library with ‘Django Unchained’, ‘The Hobbit,’ ‘Les Miserables’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Here we are at the end of 2012, ready for the release of the last few Oscar. It’s a time where story generally triumphs over mainstream appeal and where the…

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REVIEW: Hitchcock [2012]

“All men are potential murderers” Based on a book called Alfred Hitchcock and the Making of Psycho by Stephen Rebello, it’s easy to assume Sacha Gervasi‘s Hitchcock will do just that and little else. And while fans of the horror classic clamoring for this exact insight will fill the seats opening weekend, more needs to happen to ensure broader success. So it’s no surprise that John J. McLaughlin‘s script delves deeper into the iconic auteur’s psyche at a time when the world believed him to be over-the-hill and ready for…

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