REVIEW: Love, Simon [2018]

“You’re still you” There have been crazier premises for coming-of-age romantic comedies than having the lead fall in love via email with someone they’re afraid they’ll never meet. Unrequited love is nothing new to the genre and neither is an escalating series of mishaps and intentionally misleading manipulation on behalf of the lead towards his […]

REVIEW: American Ultra [2015]

“We fired the ugly one” When there are only seven basic plots—as the saying goes—to implicitly choose from as a screenwriter, genre-bending homage becomes the sole path towards creativity. So while Max Landis‘ script for American Ultra is The Bourne Identity meets Mr. and Mrs. Smith through a Pineapple Express filter, it’s a damn good […]

REVIEW: Wuss [2013]

“Do these kids have parents? It’s still outer suburbia.” Writer/director Clay Liford knows a film titled Wuss better make sure its lead character is a living embodiment of the word. So even though he may be introduced as a self-deprecating nerd willing to laugh about living with his mom and working at the same high […]

REVIEW: Happythankyoumoreplease [2011]

“Who says Santa’s pants have to be red?!” It only took about halfway through Happythankyoumoreplease before I began to think about the one thing I probably should have latched onto from the start. The comparisons between this and 2004’s Garden State are unmistakable. And it’s not just the obvious—or what should be obvious if my […]

REVIEW: The Goods: Live Hard, Sell Hard [2009]

“Looks like a refugee camp for dirty men” Sometimes you just have to get over the fact that a film needs a good/coherent plot to be a success and let the stupidity flow over you. This is exactly what I did when sitting down to watch The Goods: Live Hard, Sell Hard. You cannot argue […]