REVIEW: Mission: Impossible – Fallout [2018]

We’re never free. The former leader of a group of rogue agents seeking to unite people against unchecked government oversight—a cause worthy of pause if not for the terrorist acts of genocide utilized to achieve this goal—speaks to the man who caught him with confidence about how he’s worked to ensure the price of that “hero’s” good intentions will soon be paid in full. We wonder how this is possible considering Solomon Lane (Sean Harris) was captured by Ethan Hunt (Tom Cruise) two in-film years ago, spending every second since…

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REVIEW: Mission: Impossible II [2000]

Who wants to be decent? It shouldn’t surprise anyone who’s seen the movie to read a 2016 interview and learn how screenwriter Robert Towne came aboard John Woo‘s Mission: Impossible II after the big action sequences were already set in stone. His job was to therefore connect those choreographed behemoths into a cohesive enough story to invest audiences beyond the requisite quick-cut fisticuffs and volatile explosions. Towne was more or less set-up to fail and there’s nobody but Tom Cruise to blame, especially since the two worked together to bring…

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REVIEW: Mission: Impossible [1996]

Hasta lasagna. Don’t get any on ya. Despite completing its successful seven-season run in 1973, it would take another twenty-three years before Bruce Geller‘s original television series received its inevitable cinematic adaptation. For a former Emmy winner starring the likes of Peter Graves, Martin Landau, and Leonard Nimoy with an action thriller premise just past science fiction to make it so new technological advancements would perpetually help increase production value, that’s a difficult hiatus to believe until you factor in Hollywood. Not only did rights owner Paramount Pictures find it…

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REVIEW: The Mummy [2017]

“Death is a doorway and the past cannot be buried forever” A new cinematic universe is upon us—one I’m surprised took this long to materialize. The moniker is Dark Universe and it’s composed of all the classic Universal monsters from Dracula to Frankenstein to the Creature from the Black Lagoon as shepherded by producer Alex Kurtzman. The potential is immense with twenty-first century technology providing the studio a means to really up the ante on gore and horror, the possible connections between them possessing opportunity for exciting clashes or secondary…

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REVIEW: Eyes Wide Shut [1999]

“Fidelio” Would you gamble everything for lust? Is thinking about infidelity as egregious an offence as the act itself? After all, faithfulness isn’t merely a construct of the physical world—our trust and respect goes beyond the exterior into the very fibers of our being to make the words “I’d never cheat on you” flow effortlessly and involuntarily from our lips even when thinking about the person we’d commit it with in a heartbeat. But lust clouds our judgment. It makes us do things we wouldn’t normally do. It allows for…

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REVIEW: Going Clear: Scientology and the Prison of Belief [2015]

“We’re out to make every life extraordinary” Scientology is almost too stupid to believe. No it is too stupid to believe. That’s why I always just dismissed it as a joke—a religion founded by a science fiction author in order to never pay taxes like the rumor went. Celebrities love it, there are weird “stress” tests happening, and their God is a creature named Xenu. It was fun to laugh at them even though the whole thing screamed of brainwashing. It was fun to believe they controlled every aspect of…

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REVIEW: Mission: Impossible – Rogue Nation [2015]

“Face your fate” It’s amazing what a few years can do for a celebrity’s image. From couch-jumping in love to rumors of getting written out of the fourth Mission: Impossible installment despite building the franchise to being the bell of the Hollywood Ball scaling the Burj Khalifa and now hanging from an Airbus A400M Atlas in flight without a stunt double, Tom Cruise epitomizes box office royalty. Hell, there’s even rumblings he’s trying to distance himself from Scientology now—but I won’t hold my breathe with that one. Whatever he does…

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REVIEW: Wild Wild West [1999]

“Never drum on a white lady’s boobies at a big redneck dance” Let’s just say that Mel Gibson and Tom Cruise dodged a bullet by backing out of Wild Wild West during its seven-year gestation. Its script probably wasn’t nearly as off-the-wall goofy at the start considering their clout as actors, but I highly doubt either would have been up for the parody it became. While the 90s were all about the television adaptation anyway—Gibson went on to do the lackluster Maverick and Cruise the effective Mission: Impossible—I’m not sure…

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REVIEW: Edge of Tomorrow [2014]

“The only thing missing is you” When a script is placed on The Black List—an unauthorized survey of the “best” unproduced screenplays making the rounds—it’s generally a calling card for the writer. Many of these works come off to huge success and springboard the author to great heights in hopes more box office winners lay dormant inside his or her mind. With the highly entertaining Edge of Tomorrow, however, this isn’t quite the case. While based on a Japanese young adult novel by Hiroshi Sakurazaka entitled All You Need Is…

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Posterized Propaganda June 2014: ‘Snowpiercer,’ ‘The Rover,’ ‘Venus in Fur’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. It’s no surprise a month like June doesn’t possess the best posters for blockbuster releases. No one readying to visit a theater for summer popcorn carnage cares if the advertisement…

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REVIEW: Oblivion [2013]

“We’ll come back when it’s over” Originally planned as a graphic novel, Joseph Kosinski‘s Oblivion wouldn’t have stayed solely on the page for long. It’s science fiction romance decades after the Earth is ravaged by nuclear war and alien invasion would have whet any studio’s appetite with or without the director’s work on TRON: Legacy—itself a mixed bag many consider a failure. Disney tooted his horn for awhile leading up to that highly-anticipated sequel, even going as far as outbidding multiple suitors for the rights to his and Arvid Nelson‘s…

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