REVIEW: Atomic Blonde [2017]

“This is the game” It’s hard to believe that I was thinking the stylish, punishing action of John Wick was being dismantled upon as its stuntmen-turned-directors Chad Stahelski and David Leitch deciding to go solo two years ago. Stahelski would helm John Wick 2, the result proving a worthy follow-up both in aesthetic and mythology (with more coming). Rather than join him, Leitch shuffled over to Kurt Johnstad‘s adaptation of Antony Johnston and Sam Hart‘s graphic novel “The Coldest City”—a project he and Stahelski were supposed to migrate towards after…

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REVIEW: This Means War [2012]

“Why is she listening to that old man?” It’s really too bad that Timothy Dowling, Marcus Gautesen, and Simon Kinberg decided their script for This Means War needed to include romance. I don’t know if they were trying to create the ever-elusive film men and women can enjoy equally, but throw Chris Pine and Tom Hardy in the CIA hit squad thread for the full 97 minutes and this could be a great flick. The problem McG has that James Mangold didn’t with his highly enjoyable romp Knight and Day…

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REVIEW: New Year’s Eve [2011]

“Did he just snap me in a maternity ward?” So many questions I never knew I had were answered last night during a packed house screening of New Year’s Eve. A spiritual sequel to last year’s Valentine’s Day, director Garry Marshall, writer Katherine Fugate, and at least three actors playing different characters return. Besides learning the general masses savor broad-stroked comedy when it’s spoon-fed to them, I also discovered trite generic love to be their fantasy dream-come-true of choice. I guess I shouldn’t have been surprised since this film received…

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REVIEW: Inglourious Basterds [2009]

“F*ck a duck!” I like to think that the sheer fact Inglourious Basterds got made means that Quentin Tarantino isn’t all talk. Maybe, just maybe, that Whole Bloody Affair DVD compilation of the Kill Bills will come out. For now though, we should all be happy QT is back to form after his, in my opinion, misstep with Death Proof. As with his previous feature films, Basterds is above genres, mixing so much cinematic history and style to become a beast all its own. Parts WWII drama, parts comedy of…

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