REVIEW: Sonic the Hedgehog [2020]

Gotta go fast. While a Nintendo kid growing up with Mario forever winning the mascot war against Sega in my mind, relatives did have a Genesis and played Sonic often enough for me to have watched the little blue guy somersault around loop de loops before losing his golden rings after hitting enemies or spikes. I honestly never sought it out beyond that because the game always seemed to play too fast when compared with the straightforward Mushroom Kingdom and Mega Man platforms. I guess that was the point. Speed…

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REVIEW: The Old Man and the Gun [2018]

I know what I’m doing. Finding an occupation you love is rare when familial and financial responsibilities often dictate a path towards compromise. It’s therefore hard to let one go. Just ask Forrest Tucker, a career criminal in and out of prison since age fifteen whose life consisted of planning his next bank robbery or jailbreak depending on his mailing address at the time. The guy broke out of San Quentin at the age of 70 and then went right back at it for the sheer joy of the act…

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REVIEW: Ride Along [2014]

“Congratulations. They know we have a dirty household.” Are you a fan of Kevin Hart? Saying yes means you’ll probably be satisfied with Ride Along if only to enjoy the antics he’s saturated Hollywood with these past couple years. It’s a run-of-the-mill buddy cop comedy that hits every note in the formula book thanks to two sets of rewrites over a four-year gestation, but none of it truly matters when Hart is there to amp up the funny each time he opens his mouth and ceases to shut it. The…

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REVIEW: Sparkle [2012]

“You snuck out of the house for less” I can’t wait for the Director’s Cut. No, not Criterion’s much ballyhooed 216-minute edit of Michael Cimino‘s Heaven’s Gate. I’m talking about Salim Akil‘s Sparkle. I need to try and piece together the gaps leading towards its imploded Motown trio’s back-up singer earning a sold out first ever solo show with full orchestra and gospel choir after barely receiving two minutes of unsolicited time from the record executive who already dropped her once. I don’t care if her voice is like listening…

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