REVIEW: Curtains [1983]

“Call it research” By the end of Peter R. Simpson‘s Curtains—I use the producer’s name since he ultimately finished the film two years after original director Richard Ciupka left with only forty-five minutes shot—there are just three surviving characters. One is the potential victim being chased, another the homicidal maniac under a plastic old woman […]

REVIEW: Halloween III: Season of the Witch [1982]

“They’re fun. They’re frightening. And they glow in the dark.” After the insane success of John Carpenter‘s Halloween and the modest follow-through of its sequel Halloween II ($70 million on a $300,000 budget and $25.5 million on a $2.5 million budget respectively), the director readied to leave Haddonfield, Laurie Strode, and their malevolent predator behind. […]

REVIEW: Creepshow [1982]

Seven years before HBO brought EC Comics’ 1950s-era horror strips to life for their long-running anthology series “Tales from the Crypt”, Stephen King and George Romero delivered their own homage to the style with Creepshow. The former served in the role of screenwriter with two of the five chapters being adaptations of short stories he […]

REVIEW: The Craft [1996]

“Nothing makes everything all better again” There’s a ton of untapped potential in Andrew Fleming‘s The Craft. It delivers four embattled teenage girls faced with tragic circumstances out of their control who seek to empower themselves against the internal and external struggles presented by them. This is a premise that allows for empathy and understanding […]

REVIEW: Videodrome [1983]

“Better on TV than on the streets” To watch David Cronenberg‘s Videodrome today is to acknowledge his clairvoyance as far as technology’s capacity to control via (mis)information. He filmed this body horror classic about subliminal messaging in mass consumption in 1983: years before the political firestorm in 1992 revolving around ubiquitous violence in videogames via […]

REVIEW: Zombi 2 [Zombie] [1979]

“It never pays to ignore native superstitions” While Zombie may be known as a horror classic, its origins are almost farcical. Helmed by “Godfather of Gore” Lucio Fulci, the Italian-produced project was already in development (from a script by Dardano Sacchetti before wife Elisa Briganti took over) when the European release for George Romero‘s Dawn […]

REVIEW: Mil gritos tiene la noche [Pieces] [1982]

“To Hell with the book. The book says get the killer.” Cult classic horrors are a special breed. While I often see the appeal, I don’t always find them winning me over. The disconnect lies between those laughing at themselves and those that aren’t. I appreciate the former because the comedy is intentionally applied for […]

REVIEW: The Texas Chain Saw Massacre [1974]

“If I have anymore fun today, I don’t think I’m gonna be able to take it” Depending on your source, the budget for The Texas Chain Saw Massacre ballooned from $60,000 to as much as $300,000 by its completion. Some shady dealings allowed profit shares to be sold with intentionally misleading percentages, production ran a […]

REVIEW: Dèmoni [Demons] [1985]

“I’ll hold your hand if it’s scary” The concept behind Lamberto Bava‘s Dèmoni [Demons] is pretty great. It’s a reinvention of the rise of demons trope for an age of pop culture devotees within the 1980s era of its making. Rather than deal with cemeteries or rituals, Dardano Sacchetti‘s story (the script is credited to […]

REVIEW: The Thing [1982]

“That’s going to win someone the Nobel Prize” It may not be the first adaptation of John W. Campbell Jr.‘s novella Who Goes There?, but John Carpenter‘s The Thing is definitely hailed as the most definitive. Unlike The Thing from Another World‘s humanoid adversary, Bill Lancaster (who took over screenwriting duties from an uncredited Tobe […]

REVIEW: Braindead [Dead Alive] [1992]

“Your mother ate my dog!” I knew I’d seen Peter Jackson‘s seminal gorefest Braindead (I’ve also read it described as “splatstick” horror and find it apt). I was pretty sure I had. It’s tough to think about its insane cult stature with lines a sold out crowd twenty-five years later still scream back at the […]