REVIEW: Tusen ganger god natt [1,000 Times Good Night] [2013]

“I’ve been waiting for that call since I met you” Being an embedded photojournalist is a concept I cannot quite wrap my head around. To willingly go into a war zone and risk your life to get a shot, not for plaudits, but to educate the world about atrocities we’d rather turn a blind eye […]

Top 25 Films of 2013

(short and sweet and to the point; culled from watching 220+ releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: Mud directed by Jeff Nichols #24: Pacific Rim directed by Guillermo del Toro #23: The Conjuring directed by James Wan #22: Satellite of Love directed by […]

Top Ten Films of 2013: A year in cinema to write home about

2013 has been a banner year for cinema with a slew of quality pictures that makes you wonder how only nine got enough first place votes to earn an Oscar nomination for Best Picture. Most of my favorites could have filled that elusive tenth spot for some added acclaim—whether having a chance to win or […]

Picking Winners at the 86th Annual Academy Awards

The Oscars are generally quite boring, since we often know well in advance what is going to win Best Picture, Director, etc. But this year? Not so much. Sure, there are heavy favorites — see below. But it is entirely possible there will be some real surprises. Of course, I could be completely wrong. But […]

REVIEW: The Wolf of Wall Street [2013]

“Into the donuts, my boy?” This is the story of an American antihero: a guy born in the Bronx to working class parents who set off for Wall Street to make a name for himself as a stockbroker and rule the world. Jordan Belfort got a good five years or so of the limelight as […]

Posterized Propaganda December 2013: ‘The Wolf of Wall Street,’ ‘Her,’ ‘American Hustle’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]