Top 100 Films of the Decade: 2010-2019

If you asked me in 2010 which studios’ films would be amongst my favorites over the next ten years, I probably would have answered two correctly: Fox Searchlight (11) and Sony Pictures Classics (7). Those are two independent shingles of big Hollywood names that have been pumping out quality pictures for decades. Next up would have been The Weinstein Company (5), Warner Bros. (4), Paramount (4), Universal (4), and Sony Pictures (3) because they were cinema. So why are they barely beating those other two combined? Because the game changed.…

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REVIEW: Knight of Cups [2016]

“You’re still the love of my life. Should I tell you that?” The evolution of Terrence Malick is a fascinating one. From regular narrative structure to voiceover-driven epics to visual poems, his style has been stripped down to beautiful imagery and pithily obtuse dialogue sending us on journeys as much about ourselves as they are about the characters onscreen. Many believed his last film To the Wonder was a sign of decline—hours of improvised footage cobbled together during post-production into something wholly different than how it began—but I still held…

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REVIEW: The Better Angels [2014]

“All that I am, or hope to be, I owe to my angel mother” It only takes one look at a tree canopy from below in gorgeous black and white photography to know writer/director A.J. Edwards is a student of Terrence Malick. He’s actually been the auteur’s editor since To the Wonder after holding positions as editorial intern and key artistic consultant on The New World and The Tree of Life respectively. It’s hardly surprising Edwards’ own style would therefore mimic Malick’s poetic visuals and penchant for voiceover subtly inferring…

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REVIEW: Heritage [2015]

“Easy thing to bring someone into this wild world” Writer/director Damien Kazan is really honing his visual style these last couple of years with a string of gorgeous looking short films able to mesmerize with the sound off. Not that you should turn it off, his narration arrives with the type of resonating philosophizing we often need to hear in order to kick ourselves in the butt and move forward out of the depressive wastelands of our insecure minds. Scores by Jacob Cadmus don’t hurt either with their sweeping crescendos…

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REVIEW: The Color of Time [2014]

“I have things I want to do” I wonder if James Franco showed his NYU class Terrence Malick‘s The Tree of Life because it appears the twelve students he handpicked to write and direct what became the C.K. Williams biography The Color of Time saw it and sought to remake it. Instead of musings on the world with one boy/man serving as a metaphor for the whole of existence, however, they’ve centered their love for elegiac interludes of the mundane on a series of poems serving as a metaphor for…

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TIFF13 REVIEW: Joe [2014]

“Tell me something. You like funny faces?” Welcome back David Gordon Green. While it’s easy for me to say such a statement because I know his pedigree on paper, truth be told I’ve only ever seen one film of his before he dove into Hollywood comedies. It was his last before that period of his oeuvre began—Snow Angels—and it was a glorious drama with top-notch performances and weighty drama. I won’t lie and say I didn’t love Pineapple Express because it is a great flick. Your Highness and The Sitter…

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Posterized Propaganda April 2013: Sleight of Hand With ‘Trance’, ‘42,’ ‘Upstream Color’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. There aren’t many films coming out in April that scream “You have to see me on the big screen!” The ones that do, however, are high on my list of…

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TIFF12 REVIEW: To the Wonder [2013]

“In a dream you can’t make mistakes” For any who thought Terrence Malick‘s The Tree of Life was a divisive piece of cinema, you haven’t seen anything yet. Continuing to strip the very medium of film down to its barest essentials, form once again trumps narrative in his beautiful account of love through memory, To the Wonder. A glimpse into the joy, pain, sacrifice, and compromise of binding oneself to another body and soul, Malick shows us how complicated this concept of physical and emotional connection is. Told through the…

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Posterized Propaganda August 2012: A Summer Lull

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. August isn’t fooling around with a ton of releases spanning both big budget and independent productions. I couldn’t even begin to talk about them all here—sorry Sparkle—but there sadly aren’t…

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The 84th Oscars recap through tweets …

@jaredmobarak • Shut up Ryan Seacrest … Like the studio isn’t going to reimburse you. Cry about it #Oscars12 And with a little Bisquick, the 84th Annual Academy Awards show began before the camera even entered the Kodak “Chapter 11” Theatre. The is he or isn’t he banned from the show star of The Dictator, Sacha Baron Cohen, did what he does best by getting interviewed in character and causing a scene. Ryan Seacrest appeared to be enjoying the joke of it all and remained quite amiable until the comedian…

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Top Ten Films of 2011: Melancholy with a slice of hope

If anyone tells you 2011 was a bad year for cinema, stop in your tracks, turn around and walk away without ever looking back. They have no idea what they’re talking about. With a wealth of quality films from bonafide auteurs devoid of source material, the sheer amount of original work is astonishing. The trend for remakes will most likely never end, but it’s good to know artists in and out of the Hollywood system are fearlessly treading their own path to make movies exciting again. And by exciting I…

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