REVIEW: Finding Nemo [2003]

“You mean the swirling vortex of terror?” There’s a lot happening in Finding Nemo, a fact that hindered my appreciation for it back in 2003. At its core is a story about an over-protective clownfish father and his adventurous boy yearning to break free of the constant fear that’s ruled their lives for too long. […]

REVIEW: Réalité [Reality] [2015]

“The insides serve no purpose” This is what it’s like to go insane. Writer/director Quentin Dupieux loves the surreal and absurd, but Réalité [Reality] takes his penchant for humorous oddity to another level. With Philip Glass‘ “Music with Changing Parts” boring a hole into your temple and fluid sequences of characters meeting in real time […]

Stanley Kubrick: The Exhibition preview

TIFF may be known for the film festival that makes up its name’s acronym, but they offer so much more ever since the TIFF Bell Lightbox opened a few years back. Along with an extensive screening schedule of new releases we in Buffalo may never see on the big screen, the organization has set itself […]

Posterized Propaganda March 2014: ‘Noah’, ‘Nymphomaniac,’ ‘The Grand Budapest Hotel,’ ‘Enemy’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

Posterized Propaganda October 2013: The Faces of ‘Gravity,’ ’12 Years a Slave,’ ‘The Counselor’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

TIFF13 REVIEW: 2013 Short Cuts Canada Programmes

Programme 1 A far cry from the documentary short Joda—a visual letter to Jafar Panahi—that was included in the TIFF Short Cuts Canada Programme last year, graphic designer turned filmmaker Theodore Ushev’s Gloria Victoria is all about the visceral and aural capabilities of film without something as unnecessary as words. Full of sumptuous textured layers […]

Posterized Propaganda March 2013: ‘Stoker,’ ‘Place Beyond the Pines,’ ‘Spring Breakers’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

TIFF12 REVIEW: Room 237 [2013]

“Author intent is only part story in all forms of art” What happens to a film—or any work of art for that matter—when its artist has unleashed it to the world? Does it only exist to be what its creator intended or can it hold the potential for infinite possibilities as the disparate minds and […]

REVIEW: Shutter Island [2010]

“Retreat isn’t something you consider an option” Very rarely does a film meet, let alone exceed, the expectations of the piece of literature it is based upon. With a director like Martin Scorsese, however, you do hold out hope that it will at least come close. But with postponements from the Oscar wheelhouse of a […]

REVIEW: The Box [2009]

“You have blood on your hands” Does anyone not push the button? What can I say about Richard Kelly’s supposed turn to mainstream cinema? Three things, and they are as follows: One, the marketing for The Box has to be some of the worst in the history of film. Warner Brothers is selling a completely […]

REVIEW: There Will Be Blood [2007]

“I will bury you underground” There Will Be Blood is a staggering work of genius. Paul Thomas Anderson has, if he hadn’t already, cemented himself as the director of the present and future. While his previous work compared to the great Robert Altman, this entry is by all accounts his Kubrick picture. At every turn […]