REVIEW: Jupiter Ascending [2015]

“The problem with astrology … total bullshit” Sometimes filmgoers simply want to be entertained and often don’t mind when the means of that fun skews towards the headier side of things—no matter how implausible, campy, or convenient that direction proves. Jupiter Ascending isn’t trying to sell itself as some grand magnum opus that cures cancer; it’s merely a new space opera from the blockbuster sci-fi duo Wachowski Starship (Andy and Lana). They were commissioned by the studio to write exactly that in the hopes of franchise viability. Do I see…

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REVIEW: Whiplash [2014]

“I belong here” And here I naively thought the dinner sequence from The Riot Club would end up proving my favorite scene of the year despite the film itself leaving a lot to be desired. It just goes to show that you can never be sure until every prospective entry is counted because the final moments of Whiplash‘s tour de force assault on the senses by musical genius is honestly a transcendent piece of art in itself. From the performances by Miles Teller and J.K. Simmons changing mentality, focus, and…

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Wiig, Gyllenhaal, and Monster Love at the 2014 Toronto International Film Festival

Friends and family think me crazy for driving up the QEW so I can sit in darkened theaters for around thirty of a total eighty-hours in Toronto, but I wouldn’t spend my early September days any other way. This is what the Toronto International Film Festival does—it makes you look sanity in the face, say no thanks, and go the exact opposite way towards a world-renowned cinematic spectacle those same people are jealous about once I tell them I saw Kristen Wiig tell a joke. It was a funny one too…

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TIFF14 REVIEW: The Riot Club [2014]

“People like us don’t make mistakes” I’ll bet Laura Wade’s 2010 play Posh is something special to see on stage. A fictionalized take on Oxford University’s exclusive Bullingdon Club—sons of wealthy Brits who attended the best boarding/prep schools before following in their patriarchy’s footsteps to enjoy vandalizing college rooms as an initiation ploy and restaurants as part of their yearly evening of hedonistic excess—it’s debaucherous centerpiece of a banquet has to be an invigorating experience live. I say this because its depiction in Lone Scherfig’s film The Riot Club (adapted…

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