REVIEW: The First Purge [2018]

“Pray Not Purge” There’s a brief loss of picture halfway through The First Purge‘s end credits that reveals a full-blown commercial for the upcoming ten-part television “event” based on its own franchise. It’s a bad look, especially for those already wondering if James DeMonaco cashed-in after writing and directing the first three installments of his […]

REVIEW: Green Room [2016]

“The energy doesn’t last” It’s official: Jeremy Saulnier‘s Blue Ruin was no fluke. That pulse-pounding thriller wowed audiences a couple years ago with good reason and his follow-up Green Room only advances that success further. It’s as though he looked upon the climax of his 2014 gem and wondered what it’d be like to mold […]

REVIEW: First Night [2014]

“You should just call the cops” Writer/director Philippe Bourret‘s short film First Night takes a very scary look at society’s implicit trust in our police force roaming the streets with loaded weapons and a slice of carte blanche if only they chose to wield it. Just look at the stereotypical recruit: a former jock with […]

REVIEW: The Purge: Anarchy [2014]

“We’ve lost our souls to attain this peace” I enjoyed last year’s suspense horror The Purge a lot—despite high expectations for the premise actually going where it needed to prove more than another generic home invasion flick. Writer/director James DeMonaco gave us the graphic brutality its conceit promised through its claustrophobically bottled skirmish between malicious […]

REVIEW: The Purge [2013]

“Release the Beast” Welcome to the new United States of America, complete with booming economy, non-existent crime rates, and the 28th Amendment to the Constitution that ensures its longevity. After decades of extreme violence and poverty overtaking our streets, safety became a pipe dream and freedom a false construct no longer meaningful in the face […]

Posterized Propaganda June 2013: The Apocalypse is Nigh With ‘Man of Steel,’ ‘World War Z,’ ‘This is the End’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]