REVIEW: The Diary of a Teenage Girl [2015]

“And now the making of a harlot” You don’t realize what might be missing from a film until it’s staring you in the face elsewhere. I love The Perks of Being a Wallflower for its universality, authentic emotions, and resonance, but there was something absent I could only see while watching Marielle Heller‘s adaptation of […]

Top Ten Films of 2012: Ensembles upon ensembles

Many have been saying 2012 was a great year for movies. I’m not sure I fully agree. There were a ton of solid 7/10s and 8/10s, yes, but how does that compare with previous years when the amount of 10/10s were also drastically reduced? It took until September for me to give a film four […]

Top 25 Films of 2012

(short and sweet and to the point; culled from watching ~140 releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: End of Watch directed by David Ayer #24: Amour directed by Michael Haneke #23: Moonrise Kingdom directed by Wes Anderson #22: How to Survive a Plague […]

Picking Winners at the 85th Annual Academy Awards

Supporting Actress: Amy Adams: The Master Sally Field: Lincoln Anne Hathaway: Les Misérables Helen Hunt: The Sessions Jacki Weaver: Silver Linings Playbook William Altreuter: It often seems to me that the Best Supporting categories are where the most interesting things are to be found in the Academy Award nominations, and this year is proving me right. What we often get—especially with Best Actress […]

REVIEW: The Perks of Being a Wallflower [2012]

“We are infinite” Adolescent tomes depicting the trials and tribulations of high school are many; the ones infused with psychological trauma and bouts of depression their majority. But while most find the need to talk down to audiences by over saturating themselves in comedic anecdotes rather than humanity, it’s the rare instance of authenticity that […]

Posterized Propaganda September 2012: White Space Rules the Month

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]