“A midnight knock at the door” Roman Polanski has always appeared to me as director who utilizes large casts and set pieces. Not quite a crafter of epics, but big pictures nonetheless. Sure his first film, Knife in the Water, was on a small scale—it was his debut. I was thinking more of The Ninth Gate, The Pianist, and Oliver Twist. Interestingly, right before that trio of large productions, he brought us Death and the Maiden, an Ariel Dorfman play using only three characters to tell its story of revenge,…
Read MoreThursday, April 18, 2024
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