REVIEW: War Dogs [2016]

“What would a bad man do?” Of course director Todd Phillips would gravitate towards a Rolling Stone article titled “The Stoner Arms Dealers.” If the man behind The Hangover trilogy was ever going to delve into more dramatic territory a la contemporary Adam McKay and last year’s The Big Short, Guy Lawson‘s piece on two […]

REVIEW: The Wedding Ringer [2014]

“Sock on put” The writing team behind The Break-Up is back nine years later with their latest comedy The Wedding Ringer. While not a slog like their first feature—I found it painful at times—Jeremy Garelick (who also directs) and Jay Lavender‘s increased entertainment value unfortunately comes at the price of the whole being a complete […]

REVIEW: We’re the Millers [2013]

“That’s my credo, ‘No Ragrets’” An R-rated comedy shouldn’t possess a PG-rated heart. This is We’re the Millers’ main problem in my mind because while the profanity-laced adventure has a ton of laughs, one can’t help shake the feeling that it’s targeted to a 13-16 age group who won’t be allowed to buy a ticket. […]

REVIEW: The Hangover Part III [2013]

“Can you take Stu instead?” Love them or hate them, you can’t deny The Hangover and The Hangover Part II pushed the envelope to an extreme. No one anticipated Todd Phillips’ hard-R buddy romp would turn into the phenomenon it did—a hit before its release—and his idea to pretty much remake it in Bangkok for […]

Posterized Propaganda March 2013: ‘Stoker,’ ‘Place Beyond the Pines,’ ‘Spring Breakers’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

Posterized Propaganda September 2012: White Space Rules the Month

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: The Change-Up [2011]

“Rotate your turret and go night night” It may be overly derisive to say, especially from a guy who watched Like Father Like Son and Vice Versa religiously during the late-80s, but The Change-Up has to end up being the laziest piece of cinema released this year. Scribed by the duo behind both Hangover flicks, […]

REVIEW: The Hangover Part II [2011]

“I don’t get it. Is this a magic show?” It’s very weird to go into two films with completely different feelings despite them having almost identical plots and comedic upside. Two years ago, I couldn’t wait to check out The Hangover and see if the hype was real. My contact at Warner Brothers was even […]

REVIEW: Bridesmaids [2011]

“Hold on for one more day” The best things a comedy can do are to exceed expectations and prove you don’t need to show all the funny parts in the trailer to con people into coming. Kristen Wiig and co-writer Annie Mumolo achieve both with their ‘stone-cold pack of weirdoes’ gearing up for the bride-to-be’s […]

REVIEW: Cedar Rapids [2011]

“You’re what I like to call a Richard. A Richard Head.” On paper, Cedar Rapids seems an odd choice for a Sundance Selection. With a star in Ed Helms at the center, a man enjoying continued success on “The Office” and breaking out in The Hangover, you think overdone Hollywood vehicle to cash in on […]

REVIEW: Due Date [2010]

“What are you, a girl or something?” In a coincidental stroke of fate, following my own cross country trip from Buffalo to Denver amidst a constant barrage of quotes from Planes, Trains & Automobiles on behalf of my co-pilot cousin, I arrived back home on the east coast in time for a screening of Todd […]