Top 25 Films of 2013

(short and sweet and to the point; culled from watching 220+ releases. constantly updated as i catch up to those i missed. click poster for review if applicable) #25: Mud directed by Jeff Nichols #24: Pacific Rim directed by Guillermo del Toro #23: The Conjuring directed by James Wan #22: Satellite of Love directed by Will James Moore #21: Una noche [One Night] directed by Lucy Mulloy #20: The Great Gatsby directed by Baz Luhrmann #19: The Spectacular Now directed by James Ponsoldt #18: Blue Jasmine directed by Woody Allen…

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The 86th Oscars recap through tweets …

Welcome to the 86th Annual Academy Awards everyone! If you didn’t watch the festivities that occurred Sunday night at the Dolby Theatre you are probably a lot better off than most of us because it was a very lackluster affair. We all hoped Ellen DeGeneres would bring a fun, smart, witty return to her success with the 79th installment, but the reality ended up being one of the most dull and safe presentations in quite some time. I guess it wasn’t all bad, though, considering the Academy actually got most…

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REVIEW: La grande bellezza [The Great Beauty] [2013]

“She took a step back and said …” On quick reflection exiting the theater post-La grande bellezza [The Great Beauty], I came to the simplified but apt conclusion it felt like The Great Gatsby by way of Holy Motors. Here’s a man, Jep Gambardella (Toni Servillo), who explains right off the bat that he’d choose the smell of old peoples’ houses over the chance to get laid and yet we watch him dance the night away with a drink in his hand amongst Rome’s pompously self-important, faux aristocratic elite on…

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REVIEW: The Great Gatsby [2013]

“Once again I was within and without” Visionary filmmaker Baz Luhrmann returns with a big screen adaptation of F. Scott Fitzgerald’s magnum opus The Great Gatsby, filmed in the ostentatious aesthetic that made his jukebox musical Moulin Rouge! such a divisively stunning work. Love him or hate him, no one can deny the man has style or the ego necessary to transform iconic literature and historical eras into contemporary art-infused visual epics that overwhelm our senses. No one does excess better—over-cranked and pulsing to music intentionally subverting the subject matter…

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Posterized Propaganda May 2013: Super Sequel Summer with ‘Iron Man,’ ‘Hangover,’ ‘Star Trek,’ ‘Fast & Furious’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. One of these years Alamo Drafthouse has to organize some crazy Mondo Tees sponsored summer where every big tent pole release receives a unique artistic interpretation on paper. They get…

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REVIEW: The Extra Man [2010]

“You may write my biography, but you will never capture my soul” Over the past two years I’ve become acquainted with the work of writer Jonathan Ames through his subtly brilliant comic noir “Bored to Death” on HBO. Naming the protagonist after himself, the young novelist—played by Jason Schwartzman—is a mess of neuroses and a man of eccentric proclivities who’s friends are a bullish depressive and a youthful older colleague and mentor. One can see striking similarities to those tropes in the new film from American Splendor directors, Robert Pulcini…

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